Though sad to learn of the artist’s passing earlier this month, we very much appreciated learning of the extensive repertoire of Anna Banana (see also) and the movement that the helped pioneer and propel referred to postal or correspondence art focused sending and receiving smaller scale works via post. A spin-off of Fluxus in response to invitations to draw Tommy the Turtle and Petey the Pirate and antecedents that generally commercialised creativity, mail artists eschewed traditional markets and display spaces with their exchange that didn’t necessitate though often elicited reciprocation and expansion on a theme. As with the proliferation of zines, the genre and medium anticipated the loose collective of web communities that riff and remix the creation of others with established norms of attribution and curation. Much more from Hyperallergic at the link above.