anemoia (11. 535)

Derived from an Ancient Greek portmanteau of wind and mind in The Dictionary of Obscure Sorrows, the titular coinage refers to the wistful nostalgia for a time and place one has never known, and via ibīdem we are directed towards a reflection that we’ve often pondered perfunctorily with the gratitude that we didn’t grow up in the lens of social media where every embarrassing moment could be captured and preserved for posterity and really captures a generational disjunction, perhaps unique, and being expressed through infatuation with the vintage, the retro and sometimes regressive as those experiences liminal and just out of reach can be romanticised and recalled or imagined better and more interconnected than they really were, just like other appeals to a Golden Age. The crux of the thesis hinges on one particular high school graduation home video from 1999 and the reactions it has drawn from an anxious and aching audience of Gen Z’ers (and others truly nostalgic and older cohorts dismissive of the novelty of coming of age) for a time when one was present and not curating, documenting or checking their status for a sinewy broader group of acquaintances, and commodified by constant connectivity. Isolation transfixed as escapism is a trade-off, however unwilling, for convenience and instant gratification. More on the appeal for sentiment and sympathy from Freya India at the link above.