aïda (11. 211)

When originally approached by the Ottoman Pasha Isma’il of the Khedive of Egypt to produce an opera celebrating the opening of the Suez Canal—see also, Giuseppe Verdi declined. Later, however, presented a libretto set sometime in the Old Kingdom, a stretch of three millennia, by famed French Egyptologist and archeological authority Auguste Mariette, the composer ultimately conceded. Delayed by the ongoing Franco-Prussian War (see above) that prevented the elaborate scenery and costumes from being shipped from Paris, the opera eventually debuted in Cairo on this day in 1871. Egyptians forces have captured the titular Ethiopian princess and her captor, military commander Radamès, is caught in a love triangle with the pharaoh’s daughter, whose affections go unrequited, his desire for his prisoner and loyalty to his king and country. One of the most famously choreographed scenes is the Grand March from act II, below, when Radamès enters triumphantly, the chorus chanting “Gloria all’Egitto, ad Iside (Glory to Egypt and to Isis),” through the Gates of Thebes and is granted anything he wishes as a reward for his services.