BBC Culture showcases the Flemish Renaissance painter
Caterina van Hemessen (*1528 – †1565) through the lens of her 1548 self-portrait which is the first known depiction of an artist—of any gender—at work at the easel. Certainly knowing her art history, van Hemessen’s reflection, projection has a definite correspondence to
Albrecht Dรผrer’s 1500 work.
As in many professions at the time, the certification and apprenticeship process was biased against women joining the ranks of artists with curricula consisting of
studying cadavers and vivisections and the
nude male form—places where women had no access to—it was difficult to find a sponsor and teacher, making female painters exceedingly rare, though in Hemessen’s case it was her father that taught her, Jan Sanders van Hemessen—renowned as well for introducing Italian, romantic influences to the Northern Renaissance.
As in many professions at the time, the certification and apprenticeship process was biased against women joining the ranks of artists with curricula consisting of studying cadavers and vivisections and the nude male form—places where women had no access to—it was difficult to find a sponsor and teacher, making female painters exceedingly rare, though in Hemessen’s case it was her father that taught her, Jan Sanders van Hemessen—renowned as well for introducing Italian, romantic influences to the Northern Renaissance.
