Wednesday, 26 October 2016

tate and stevens or target audience

A-historically but surely born out of relatable frustration, a Parisian advertising agency Graphéine imagines how some of the most iconic works of art commissioned for movies, album covers and book covers might come out if they had been subject to modern clients and sponsors with an eye towards demographics and marketing standards. This opening credit sequence from Saul Bass would certainly not be as alluring and effective for setting the mood.