Wednesday 15 August 2012

WWII week: plongeur

Part of the fascination with World War II in the European theatre is the sheer inexhaustibility of the subject, the depth of material for reflection, portrayal and reissue plus the varied aspects of that horrendous and frightening time—replete with tangents, like into the occult, and technical achievements carried forward by the fight.

Other battles and campaigns, I am sure, are equally boundless and rich but living memory, fastidious documentation, and the indelible and recognizable footprint besides probably feed this interest. Places can be likewise infinite, celebrated throughout very different histories: La Rochelle’s harbour, where a fleet of German U-Boots was berthed and penned, was half a century earlier the selfsame site where the first experimental submarine, le plongeur (the diver), was tested. Before that, revolts in La Rochelle were instrumental in ending the slave trade and abolished the practice in French colonies. And before that, the city was chief among old world ports for trade with the new world. And before that, La Rochelle was witness to Cardinal Richelieu and the French Religious Wars and a stronghold of the Knights Templar. In part, because of the intensity of these submarine operations, La Rochelle was among the last cities liberated—Germany retaining pockets of control at major ports after the general surrender.