swatches

I suppose I am not organized or disciplined enough to be a proper curator—or stick with an intelligible theme—and such things do matter among miscellany and easy-of-access considering what goes forgotten and neglected, but I was looking for a specific kind of pattern and all these diverse textile designs did strike me as having some sort of association, in a Jungian common-fate sort of way. The first is a very mod pattern from 1960, British I think. The second is from an artist working in the 1920s named Maria Likarz and suggests a hail of unread emails. The third is a 1950s Eames Era inspired print that looks like something viral, a transmission. The fish pattern is by Wiener Werkstätte compatriot Hans Carl Perleberg and I think is brilliant for the hues and direction. The blackboard abstraction is by Orphian movement founder Sonia Delaunay. And the narrow stack of arches are also from the workshops of Vienna and prefigure one of the standards of Art Dèco architecture, whose successor style—like all these other periods—hold a timeless that maybe groups them together.