spider web castle (10. 420)

Considered among the finest adaptations of the Scottish play with production and development deferred for six years after learning that Orson Welles directed his own Macbeth in 1948, Akira Kurosawa’s (previously) transposition of the plot of Shakespeare’s masterwork to feudal Japan (蜘蛛巣城, Kumononsu-jō—literally the above title but released in English-speaking markets as Throne of Blood) premiered in Tokyo on this day in 1957. Under contract to produce three samurai movies (jidaigeki—period, costume dramas) for Toho studios, Spider Web Castle was originally slated to go to director Ishirō Honda, best known for his 1954 kaiju classic Godzilla but Kurosawa ended up making the trio of films. His 1960 The Bad Sleep Well was informed by Hamlet—though not a direct correspondence—and Kurosawa’s final work Ran, which is based off of King Lear. Throne of Blood in turn influenced Roman Polanski’s adaptation of Macbeth and the death of Taketoki Wasizu (the Lady Macbeth analogue) inspired the death of the mother of the titular Carrie in the 1976 horror classic.

st john’s wood (10. 419)

Once (and yet) regarded as an assault against navigation devices and by turns an assault against proper punctuation and orthography (see also here and here), we appreciated learning about the selective preservation afforded to a number of thoroughfares, parks and venues (with a short biography) of London via our trusted flâneur. Making note of the non-possessive exceptions that make the rule—as opposed the exclamatory figure of speech used in stagecraft to break off from the audience, “O happy dagger!,” we’re also introduced to a colourful term ‘anorak level tube apostrophe history’ to describe and prescribe the changing style to sibilant endings. Anorak, chiefly a Britishism, incidentally refers to an enthusiast dedicated to the point of obsession with a very niche subject—first to describe fans of pirate radio who would charter crafts to go out to visit the boats, whom like trainspotters, were often unfashionably but appropriately attired in parkas.

he just smiled and gave me a vegemite sandwich (10. 418)

Originally released three years prior as the B-side, local single “Keypunch Operator” before signing with a major record label, Men at Work’s hit song began topping the US charts on this day in 1983 for a run of four weeks. Relating the narrative of an Australian travelling the world only to meet people interested in hearing about his home country with slang, drug references (chunder means to vomit) and remorse about overdevelopment and American cultural hegemony peppering the lyrics. The opening musical flourish from the children’s song “Kookabura (Sits in the Old Gum Tree)”—already in the public domain—was inserted ironically but was still the subject of a copyright lawsuit after the sampling was pointed out in a quiz show in 2007.

shaken, not stirred (10. 417)

Here’s a selection of signature martinis to fit every mood and every palette of this spirit animal constructed on the template of gin—or vodka—and vermouth plus a bit of garnish. Namesake of the special drink of patrons of the Occidental Hotel of San Francisco would be offered before embarking on the ferry to Martinez in Contra Costa, the cocktail has undertaken, with the famous variant occurring in a dialogue the spy has with a barman in Casino Royale, changing his order from a dry martini to a special recipe of his own invention. “Just a moment: three measures of Gordon’s [gin], one of vodka, half a measure of Kina Lillet; shake it very well until its ice cold, then add a large, thin slice of lemon peel. Got it?” Bond adds, “I’m going to patent it when I think of a good name.” Later, he names it in honour of MI6 coworker and double-agent Vesper Lynd. Though perhaps with a bit less of provenance and backstory, we did nonetheless like the inverted variations of the Astoria and Lifetime Ban and elegant Martini Sauvage—gin with chinato liqueur and orange bitters, mixed and chilled overnight.

8x8 (10. 417)

mouldiness manifesto: a celebration of the architecture of Friedensreich Regentag Dunkelbunt Hundertwasser—see previously here and here 

olympus mons: detailed maps of Martian terrain from the United States Geological Survey 

cobra mist: a tour of the deserted Orford Ness, the UK’s Area 51 

the george santos special: disgraced congressional representative (see previously) has a really specific skill—via Super Punch 

yurt of invincibility: Kazakh community in Ukraine provides warm-banks, accommodations for those without power  

welcome to garbage town: or how three decades of social media urged us to stop talking and start buying things  

portland district: the US Army Corps has a collection of monumental felines with their engineering projects—for those not yet with their 2023 calendars—see previously 

triple aught foundation: revisiting Michael Heizer’s City in the Nevada desert—via Things Magazine

this is fine (10. 416)

Via Waxy, we are directed to portfolio of webcomic author and cartoonist KC Green and their reflections on a decade since the “On Fire” featuring the dog (Question Hound he’s called) panel first appeared—originally in a series called Gunshow—and how when something becomes a meme, an idea that usually does not age well (anniversaries are bad for the internet, like cheugy was for a class of aesthetic) unlike other aspects of culture that become more refined with time, and as pervasive as this image and its statement, it’s become something for history and not a single byline any longer. Though at times harrying and overshadowing, Green is still able make a living doing what they prefer. This is fine.

the lower third (10. 415)

Coinciding with the release of the single under the label Pye Records and at the suggestion of his manager and publicist the singer and artist born Davy Jones changed his stage name on this day in 1966 to Davie Bowie—to distinguish himself from the up-and-coming act the Monkees and their Davy Jones. Bowie re-recorded the song for his album Toy after performing it live at a concert in 1999.

human be-in (10. 414)

Considered an overture to the city’s Summer of Love, the 1967 counterculture event—the focus of the hippie movement’s rejection of staid, middle-class morality, occurred on this day on the Polo Fields of Golden Gate Park in San Francisco, drawing a crowd of some thirty-thousand. In turn inspired by sit-in and teach-in protests to erode vestigial segregationist practises in institutes of higher learning, the gathering took its name from an off-hand remark made by psychedelic artist Michael Brown Bowen the Love Pageant Rally, held the previous October in the Haight-Ashbury district to demonstrate against the outlawing of LSD—where thousands showed up and dropped acid in unison, the above organiser bringing the Grateful Dead, Ken Kesey and the Merry Pranksters and Janis Joplin to the event. Among invited speakers and performers—also arranged by Bowen—were Ram Dass, Dick Gregory, Allen Ginsberg, Lawrence Ferlinghetti with Timothy Leary making the declaration “Turn on, tune in and drop out” and local bands Jefferson Airplane, Big Brother and the Holding Company, and the Dead, staple acts of the Avalon Ballroom concert. Follow-on events included the Fly-In, Sweep-In, Yip-In, Love-In and John and Yoko Ono Lennon’s Bed-In.