walpurisnacht

Our faithful chronicler reminds that on this night, the date shared with many other momentous occasions including the annexation of Hawaii (1900), the fall of Saigon (1975) and the coming out of the tv character of actor and comedian Ellen DeGeneres (1997), Beltane Eve is observed (previously here and here) in the northern hemisphere, coopted locally as the syncretion of the day before the feast day of Saint Walpurga, an abbess and Anglo-Saxon missionary from Devonshire to the Frankish Empire.
Converts were encouraged to pray to her for intercession and protection from witchcraft—though Walpurga’s patronage was restricted to hydrophobia, odd given the witch connection, and sailors in distress. Though there’s a lot of regional variation in the way the holiday is kept across northern Europe, common customs include bonfires—a ceremonial burning and/or celebration of the diabolical and a sort of sealing off the portal, marking the last opportunity that the supernatural can cross over from the nether world, until Halloween.

6x6

attention kmart shoppers: an audio archives of in-store music and sales promotions from the late 1980s and early 1990s

it’s dangerous to go alone! take this: a scholarly exploration of the psychology of Legend of Zelda franchise

as seen on tv: a collection of fine products from Obvious Plant—previously

the medium is the mess: antiquarian JP Ptak’s card-catalogue of Outsider Logic

the legend of the visnaga: a turn of the century confectionary craze nearly wiped out barrel cactus of the southwestern US

afghan twin: some interesting musings on the unsounded market in sonic camouflage 

blind house

We’re directed to an exhibition from artists Paloma Muñoz and Walter Martin whose collaboration has produced a disquieting portrait of human habitation with the windows seamlessly edited away.
This subtle erasure has profound affects on perception and prompts a conversation and reflection on the nature of screen time, how windows are made for looking in as well as looking out and how we’re to understand and uphold our private sphere with so much voluntarily given to public inspection—though what we put on display is not always the invitation to repackage it and sell it back to us at a premium. Continue touring the exhibit at the link above.

on diversion

Via the always excellent Nag on the Lake, we are treated to the brilliant still life photographic compositions informed by the upholstery found on board bus lines in London (previously and see also here and here) of Emilia Cocking. Her extensive portfolio focuses on built environments and recognising and appreciating those intersectional coincidences of finding art in the everyday. Much more to explore at the links above.

decalogue

The always inspired and insightful This American Life reprises acts from earlier episodes to reflect on the Ten Commandments just after Pesach and Easter and the way those fundamental rules bind and perpetuate social order and how transgressions are addressed.
All of the stories are interesting but it was especially the first vignette, a memory by Shalom Auslander, in which a pupil at Chabad (Jewish Religious School) is informed that he bears one of the seven-two names of God and as the third Commandment directs, “shalt not take the name of the Lord thy God in vain.” Peace was not the most common epithet for the divine but a strict interpretation of the law and customs (chumra) dictate that not only must special care be taken to avoid blasphemy and not to invoke God’s name to do harm, writing it down created something holy out of the profane and had to be handled in a fitting fashion. Ephemera and papers bearing the name of God were to be collected in a shaimos (name) box and once full, buried respectably in a storage structure (genizah) at a synagogue or cemetery according to tradition. School assignments and paper lunch bags from Auslander were permanently archived along with retired torah and prayers.

throwing down the gauntlet

We’ve yet to see the concluding chapters of the Avengers’ franchise and only know of Death-Dealing Thanos (no spoilers, please) but have been exposed enough to the references and artefacts to appreciate the resemblance that the super villain’s glove has to this reliquary which holds the uncorrupted hand of Teresa of Ávila (*1515 – †1582).
A noble woman whose Jewish ancestors were coerced to convert during the Spanish Inquisition, this Doctor of the Church was called to the monastic and contemplative life and after canonisation was a candidate for the patron saint of Spain—just edged out by James (Santiago de Zebedeo) and Catherine of Siena (whose Feast Day is coincidentally today). The well-travelled reformer succumbed to illness on the way to Alba de Tormes, just as most of Europe was switching from the Julian to Gregorian calendar so there’s some debate as to the time of her death and when to observe her Saint’s Day—15 October according to liturgical calendars, and her exumed body was dismembered and spread as relics to holy sites and the convents that she founded, her left eye and right hand going to Ronda in Andalusia, the later pictured next to the cinematic prop being kept by Spanish dictator Francisco Franco, sort of like the Lance of Longinus, until his death when the treasure was restored to the nunnery.