hallmark holiday or that’s what christmas is all about, charlie brown

Our faithful chronclier, Doctor Caligari’s Cabinet, informs that today in 1843—coinciding with the serial publication of Charles Dickens’ A Christmas Carol which very much rehabilitated the festive season in England and beyond, industrial designer and museum administrator Sir Henry Cole (*1808 - †1882) too busy to pen personalised messages to all his friends and colleagues for the holidays commissioned Royal Academy illustrator John Callcott Horsely to create for him a set of pre-printed greetings on cardstock.
Still working out its franking system—the first postage stamp only introduced two and a half years earlier, Horsely also designed pre-paid postages envelopes that allowed well-wishers to post the cards for a penny throughout the Empire. Also on this day in 1965—perhaps with this bit of history in mind, CBS first aired the A Charlie Brown Christmas Special. Reportedly, producers and the network were convinced that the special would prove to be a monumental failure and threaten the Peanuts franchise, fretting over the pacing, tones, lack of canned laughter (a television standard at the time), the unconventional, jazzy soundtrack and the rather incongruent moment of reading Bible verse. The first commercial Christmas cards were mired in controversary and considered blasphemous in part for depicting a child imbibing an adult beverage along with his parents, probably contributing to their commercial success. Enjoy the Vince Guaraldi Trio perform the Linus and Lucy suite and other songs for the programme.

barbarastollen

Our ever intrepid adventurer over at Amusing Planet takes us on a surprising tour of an abdandoned mine tunnel converted during the early 1970s under the Hague Convention for the “Protection of Cultural Property in the Event of Armed Conflict” into a bunker for historically significant documents, dating back to the tenth century up to modern times with some one and a half million contextual artefacts (originals like the blueprints for the Dom zu Köln or Pope Leo X’s communique threatening to excommunicate a monk named Martin Luther) contributing from archivists across Germany coming in annually.
This shelter, called the Barbarastollen, named after Saint Barbara—the patroness of miners among others—and for the support beams of the unfinished mine shaft, which the Christmas, like the traditional German fruit-cake like Christmas bread, Stollen, is  near Freiburg im Breisgau in the Black Forest, and one of five world-wide with the others being Vatican City and three vast underground chambers in the Netherlands, has foregone modern formats which could surely accommodate the breadth and depth of human knowledge up to the moment in the seven hundred metre long stacks, instead keeping with the tried and tested method of document storage and retrieval, barrel upon barrel of microfilm—the media positioned to weather a nuclear war and at least a millennium, readable by means only of a magnifying glass and a little sunshine. Read more at the link up top.

the mother of all demos

Fifty years ago on this day, computer engineer and inventor addressed a gathering of fellow enthusiasts at conference in San Francisco and presented a comprehensive introduction of nearly everything that we would come to expect personal and business computing to deliver over the following decades and up to the present—except perhaps not imagining to speed or to scale.
The ninety minute hardware and software demonstration, inspired by the work of Vannevar Bush (here and here), was a rather extemporaneous display on mouse-usage, multiple tabs and windows, hypertext links, graphic interface, tele-conferencing, word-processing and version-control (collaborative editing). The vaunted title is itself a snowclone of the a translation of a warning issued by Iraqi president Saddam Hussein in 1991 that presaged that the US would face the “mother of all battles” should it choose to counter the country’s annexation of Kuwait, the turn-of-phrase itself sourced to the 636 AD battle of al-Qadisiyyah when the Arabs defeated the Persians and brought Islam to their newly annexed territories. The working title of the presentation was the more prosaic A Research Centre for Augmenting the Human Intellect and Mother of All Demos was appended far after the fact.

dualphoto

Via Colossal, we are introduced to compositional gifted photographer RK, who has a particular eye for framing and capturing the juxtaposing and the disorientating.  A dualphoto is actually the technique of taking a picture with two cameras facing in opposite directions to capture a comprehensive image but the term seemed to fit.  A portal-plane variation is a geographical remote one with synchronised picture-taking.  We were especially taken with the scenes from Japan that contrast traditional trappings with the encroaching modern world—which looks to be kept sufficiently in abeyance to ensure that the timeless is not forgotten. View more of the artist’s portfolio at the links up top.