time’s arrow

Linguists and historians suppose that the notion of clockwise and anticlockwise motion on the sun dial and clock face is related to the left to right apparent motion of the Sun as it crosses the arc of the sky for an occident observer—which, if true, raises some interesting questions about its antecedents.
Via Naked Capitalism we are treated to an exploration of the idea of circum- ambulation—at least in an Anglo-Saxon context with heavy resonance, surely, elsewhere. Though humans have always had the march of the heavens to trace, until the prevalence of time keeping and assigning direction to time’s arrow (also for navigation and shop-work with tools and bolts) it was probably enough in most situations to indicate direction rather than tendency. The terms sunwise (Uhrzeigersinnes), the Gaelic deasil (Deisel) and the Latin dexter, however, did exist before time pieces were common—with the Middle English widdershins—from the German widersinnig for going against, indicating a counter-clockwise motion (geden den Uhrzeigersinn). From lexical evidence, sunwise and widdershins to often be invoked when describing human processions around sacred sites. More about these propitious marches and examples of backwards running clocks can be found at the links above.

playthings

It seemed a much simpler when toys came to life by dint of their personalities and one’s imagination and whatever extra features or accessories were attached were just bonuses.
The pretend of yesterday, however, is approaching companionship and one has to wonder what it means to educate and then abandon for the next entertainment. Perhaps it is this ability to learn and keep us engaged that makes it less likely for us to move on—since I hope that we learn too that play is not just some frivolity that one matures out of. By the same token, we ought not to resign what we create to the same indenture as our own formative freedoms sometimes unobligingly enters into through circumstance and necessity (and cannot escape) and not make present toys tomorrow’s involuntary labour-force. What do you think? Not to be too serious over matters of fun and games, but our Yoda would indulge some philosophic-sparring and it does seem far less palatable to be trafficker than to be trafficked oneself and to be making inferiors with superior capabilities.

take only photographs, leave only footprints

A pun on the way English-speakers used to refer to Volkswagen, abbreviatedly, as veedubs, a company in North Yorkshire is championing the electric, green revolution of the recreation vehicle and camping industry with eDub Trips.
To reduce the impact of the camping trip—ahead of the automotive manufacturer’s pledge to offer alternatively powered vehicles by 2022—eDub is converting classic VW mini-buses into fully electric models and in order to finance further effort, renting out the campers for weekend excursions. As nice and hopeful as the latest advancements in cleaner energy and electric-vehicles are, there’s always the point of return on investment to aspire towards—with presently the amount of pollution generated to build that brand new car won’t ever be balanced out by the tidiness of its performance throughout its lifetime. I’d dare suggest that putting out on the market anything less is just green-washing, but I think what eDub Trips is doing with its modernization campaign represents genuine progress in the right direction.

major arcana

Despite the banal and unsurprising nature of the cards we are dealt by our daily social media digest, it’s still nonetheless exciting to forecast one’s fortune and fate. One clever illustrator from Italy named Jacopo Rosati, we were introduced to by Dangerous Minds, obliges with a collection of tarot cards that make up a narrative of the typical user experience.

in vino veritas (in aqua sanitas)

As a follow-up to last year’s reprinting of a most sublimely surreal cookbook, the German publishing house TASCHEN will re-issue Salvador Dalí’s liberally illustrated field guide to wine grapes, viticulture and history, The Wines of Gala, which was last in print in 1978. The artist’s pairings were emotional driven and classified his wines based on how the contrasted or complimented his moods, with groupings like the Wines of Generosity and Wines of the Impossible.