Thursday 20 April 2017

la course a l’elysรฉe

Just ahead of the first round of French national elections to take place this Sunday (Jour du Scrutin), Oliver Gee of the Local provides a handy guide to navigating the political jargon and labels for issues bandied about when speaking about the race. Fiercely proud of their language and idioms and rightly so, the only Americanism to bleed into this campaign is “fake news,” though one sometimes encounters a ribald accusation of fausses nouvelles.

animatic

The Calvert Journal has an interesting profile of the lesser scrutinised art form, relegated to children’s entertainment, of animation and the role that allegory communicated through this medium played in protest movements in Eastern Europe and Soviet satellite states, particularly in Czechoslovakia and Yugoslavia. The study with a gallery of examples (not the ersatz Itchy and Scratchy pictured) from the 1950s onward demonstrates the parabolic reach of the message (the animatic being the synchronised storyboard) considering that in most cases the state was the lone patron of cartoons, looking into the past when puppet theatre and other antecedents could be as covertly subversive, plus how contemporary artists are rediscovering animation as powerful form of commentary.

sending forces

Amusing Planet features a profile of the mostly abandoned town of Wรผnsdorf on the periphery of Berlin that once hosted the headquarters of the Soviet military in East Germany.
With large areas of restricted access, Wรผnsdorf was declared another verbotene Stadt, like the Colossus of Prora after World War II, and of course this was not the only installation to be mothballed with the Reunification and we’ve encountered quite a few former army camps in our travels. The stations of the Allies are much less dense these days (click here for a map that shows the coverage and saturation on both sides) but the Americans have remained.

Wednesday 19 April 2017

directors’ cut or good morning pyongyang

Via Gizmodo, we discover that in the North Korean capital, there is a daily morning broadcast on loudspeakers of a Theremin-sounding leitmotif that resounds throughout the city.
Although reporting appears rather dodgy and some handlers of visitors to the Hermit Kingdom disavow the existence of the routine—the implication being that they are so brain-washed that it no longer registers, this instrumental tune is a little reminiscent of the Blade Runner (Do Androids Dream of Electric Sheep?) soundscape composed by Vangelis and is possibly called “Ten Million Human Bombs for Kim Il Sung” but no one knows for sure. It seems eerie and oppressive at first blush but I wonder what message that North Korea intended to send.