Through the daisy-chains that bind us, I was astounded to find this superbly fun and classy curated gallery of vintage film animations in a blog called Nitrate Diva. Lovingly maintained and with a vast archive that spans from the Silent Era through the 1960s, I found it to be too remarkable not to share. Of course, these pictures have a separate, fossilized mythos of their own, but finding these clippings moving under their own power opens up a whole new strata of arresting scenes. One won’t regret the visit.
Friday 15 January 2016
6x6
quinceaรฑera: Wikipedia celebrates its fifteenth anniversary
you sank my lanthanide series: a parent has developed a period table of Battleship to teach chemistry
independent order of odd fellows: a look at the iconography of the secret societies of America, via the Everlasting Blort
that’s a bad boy: a Roman mosaic unearthed in Alexandria reveals that pet-shaming has been a phenomenon since ancient times
yosemite sam: accommodations and attractions of the US national park compelled to re-flag because of an unscrupulous naming-rights dispute
powwww: a studious and hilarious collection of expository BAT LABELS from the original Batman series
Thursday 14 January 2016
verisimilitude
One tool the storyteller has in his or her quiver of tropes to perhaps fend off a fading suspension of disbelief—when the audience is no longer transported into that fiction or fantasy and is growing unwilling to buy what’s improbable (the most treacherous area for an author or actor is delineated by the inconsistency in which the impossible drifts towards the merely unlikely)—is called the lampshade hanging technique. Accorded with the principle that anything is less glaring than a bare bulb, the narrator calls attention to the offending material and tries to move on—hoping that the audience identifies enough with the characters to accept that everyone is finding the situation incredulous.
dance, magic dance
I was delighted to be informed that prior to her career as Medical Officer for the continuing voyages of the starship Enterprise, Cheryl “Gates” McFadden (Doctor Beverly Crusher) played a pivotal, creative backstage role in many Jim Henson productions as dance choreographer and puppet director.
She helped compose the musical numbers for Labyrinth, as well as wrangling the skeksis for Dark Crystal and puppeteer in several muppet capers. Dr. Crusher presently has an active teaching career and has hosted several acting workshops. Finding this out was nearly as serendipitous as the time, a long time ago, when we went to the lost luggage outlet in rural Alabama and finding that gatekeeper Hoggle rather sadly went unclaimed or was left at the wrong terminal with no welcoming party. Since more people have discovered this oubliette, the goblin I think has become a mascot for that proverbial spot where all orphaned socks and other things gone missing end up.
catagories: ๐ฌ, ๐ถ, ๐, myth and monsters
Wednesday 13 January 2016
bonhomie oder in a word
The German Sprachraum Unwort of the Year has been announced, and among many other nominees vying for top spot, and it is Gutmensch—having already been accorded second place in 2011 and in common-parlance for far longer. Politically- and journalistically-speaking, it’s sort of a catty, backhanded tactile term, coded word for a group (Gutmenschtum) that counters counter-thinking.
Tuesday 12 January 2016
6x6
now hist. and rare: the OED’s rather murderous beginnings and criminal contributors
memory & function (& memory): Scarfolk, the English town forever doomed to repeat the decade of the 1970s, is coming to the air-waves
life-long learning: adult Norwegian teaches herself to play the violin and documents her amazing improvement
presto the magician: an analysis and appreciation of the Saturday morning cartoon Dungeons & Dragons
nengajo: beautiful collection of Japanese greeting cards for the Lunar New Year, via Everlasting Blort