Monday 29 April 2013

sjörnustríð: ný von

This past Saturday, Iceland held parliamentary elections, which proved a great disturbance for the establishment, already sorely reduced by the popular backlash to incumbents over their wrecking of the national economy. Observers are calling the rebel scum that roundly stole the vote, minority and independent parties, euroskeptics and threaten to derail further Icelandic integration. Well, the nerve—I suppose we ought not to pay any more attention to them and their shenanigans.
Here is a picture of the mayor of Reykjavik, Jón Gnarr Kristinsson—an actor, bassist and comedian besides, casting his ballot. It’s his business of course whom he voted for, but I’ll wager as a free-agent himself and founder of the Best Party (Besti flokkurinn) whose platform promised listening more to women and old people since those groups tend to be marginalised, he’s not in lock-step with the old guard.



Sunday 28 April 2013

vom bamberg bis zum grabfeldgau

There is a saying that there can be no nation without an anthem (keine Nationen ohne Hymne), and while poet and novelist and Auslander, hailing from Karlsruhe in the Duchy of Hessen and by Rhine, Joseph Viktor von Scheffel intended no overtones of political secessionism or dangerous patriotism when he composed the lyrical anthem of the Franconia region (das Frankenlied). I think it was pure exultation and inspiration that he found while on retreat for the summer in 1859, in the midst of a march-writing craze, as a guest of Cloister Banz and explored Little Switzerland (die fränkische Schweiz), which the people later adopted as a regional symbol. Apparently, school children learn the song, rife with references to Franconia’s cities, landmarks and lore, and there’s even the robust refrain “Valeri, Valera.”
Valer-rah-ha-ha-ha-ha! Much of the matter of the lyrics touch on what von Scheffel could take in from his terrace, the peaks each with their own myths, the remainders of Celts, Mongols, the French and the Americans that also passed through. The words are wonderful and genuine, and who wouldn’t just visiting want to break into song with praise for this area. There is a priceless element of pomp to it too, which I suppose resides in all anthems and similar state-songs, like Rule Britannia! (von Scheffel also composed that summer rhymes about dinosaurs when a scientist who was also in residence showed him his fossil discoveries), which I won’t identify, not wanting (nor willing) to take away from this enduring double-rainbow moment and enduring pride.

wahrzeichnen oder main-kinzig-kreis

Along the Autobahn as I drive back and forth on my weekend commute, there are a lot of those brown and white illustrated signs denoting tourists’ attractions and there’s quite a few I pass regularly that I want H and I to explore together.
 There are few, however, as recursive as the one indicating that at the next exit, one can find the medieval Altstadt of the town of Steinheim by Hanau—seeing the same ensemble of towers and turrets from the road just behind the sign itself. I stopped to for a quick walk around the place with a nice selection of half-timbered buildings. The castle and tower were built towards the end of the 1300s by the Lords of Eppstein to oversee trade and importantly taxation of traffic along the river Main where it joins the river Kinzig.
Later used as a residence by the Archbishop of Mainz when travelling through the region and as a head-quarters of the occupying Swedish army during the Thirty Years War. Steinheim is also the gateway of the renown Hessen Apple-Wine Route (hessischen Apfelweinstraβe)—which I have yet to sample.

tomate or catsup/ketchup


Friends at my forgotten favourite, the Laughing Squid, showcases a very interesting trend in hair-styles (Friseur) from Osaka. This whole website features an off-beat cavalcade of neat finds worthy of exploration, besides, in culture and the arts. I do wonder, however, if this particular hair-do shows some vintage roots, inspired by this Crosse & Blackwell’s advertisement for tomato sauce.