Wednesday 8 February 2012

equipoise

After twenty years of effort and attempts, Russian researches have managed to bore through some four-hundred thousand years of ice to tap the surface of the immense subglacial lake Vostok (DE/EN). The body of water, rivaling the Great Lakes of North America or Lake Baikal in volume exists in liquid form, despite the below freezing conditions due to the enormous pressures exerted by a four thousand meter thick sheet of ice over it. One of some one hundred forty known reservoirs under the Antarctic ice, the lake originally existed only as a hypothesis, until its discovery as a ground scanning radar anomaly--much in the same way ancient geomancers postulated the existence of a southern continent to balance the globe. Such exploration is estimated by some to represent some of the last undiscovered geological finds on Earth, but considering how adventurers and prospectors have never penetrated beyond the surface, nor sounded much beyond the crests of waves, I think that this could usher in a whole new golden age of exploration.

Plus considering how poorly ecology is understood and given life's capacity to astound and adapt, it is never just mountain high or valley low. Environmentalists and rival drilling teams have expressed concern over Russia's methods and worry about contamination, suggesting that a more isolated and smaller lake ought to have been probed first, to see if it could be done safely, rather than going after the biggest. I think, though, that the Russian scientists are keenly aware of this and will take every precaution. Exploration does not equate to exploitation, and they know that to taint this discovery would be to lose a unique chance and there has been enough propaganda from science fiction to give anyone pause. The project has been carried out in careful phases, under the assumption that exotic microbes live in this environment. Confirmation would strengthen the case for Earth-like, familiar, organisms on the satellites Europa and Enceladus, icy moons harbouring subterranean seas. Despite whatever corollaries are drawn to imaged alien life, this process excites the imagination and respect for the unknown even more. What if the artefacts of some Lovecraftian race lost to the ages are found? These water flowed millions of years ago on a subtropical land joined with Australia. Science and science-fiction both are accomplished at postulating.

Tuesday 7 February 2012

taxman or special drawing rights

There is a wealth of advice, some professional and modular, suitable for tailoring, and some common-sense that demands one dispatch with mistake-prone sentimentalities and panic, regarding managing one's personal finances and home-economics. There also seems to be, however, a terminal severing of connections pervading otherwise good tips. The utility of money (and that's all it is, a utility, like electricity and water and heat--essential and essentially takes care of itself) diminishes with an embarrassment of riches, as the cost (and perhaps the worth, as well) of things approaches zero.  On the other hand, juggling sacrifices makes one unable to plan and budget and look inward to the narrow horizon of those same sentimentalities and panic. There is a disconnect on both ends of the spectrum, which just exacerbates the situation all around and perpetuates gentrification.

Often, one is commended to pay oneself first, which is helpful and positive and makes one make the conscious decision to negotiate the obligations and think about savings--though savings at its poor rate of return is usually at odds with paying down debt, whose interest negates the benefit of savings. A third of one's income should probably be sequestered, however, and with a tangible goal in mind--paying forward, paying off one's loans, saving for a home, and not just some comfort-zone where the worth of things is reduced to specks. All of this takes some discipline to execute and pays off in the end. Some people, the day-trader and the generally nervous set, I think however need something more immediate, creeping but visible and effective. One should still set aside something for the future first and then corral what's needed for essentials and make do with the rest, and perhaps a way to do that--and not forget the value of a dollar, would be to tax oneself. After all, all levels of government, in war and peace, have been funding all of their activity, maybe up until very recently though creditors have always been around too, through tax revenues. One should follow one's bank statement with a critical eye and levy a financial transaction tax against each withdraw, say of 1%, and place a duty on other items according to utility, endurance and necessity. Tax at 10% gifts not budgeted for and 100% that extra coffee bought at the gas station out of laziness when a little planning would have saved some money. Depending on how easily one can transfer between accounts, calculate one's tax by the week or the day and sock it away in savings. With punishingly regressive rates and arbitrary vice-taxes, one can be as austere and byzantine as one wishes, since it's one's own money, just rescued from the general fund and a good reminder of how one is spending his or her income and financing purchases.

dexterity or hand-jive

Yesterday on the news, I learned about a project and an exhibition that is coming to an end that illustrated the nuanced relationship among humans and machines through one purpose-built scribe. For several months, a robotic-arm from a research laboratory in Karlsruhe has been reproducing the Luther Bible in an early Renaissance hand on a very long, continuous scroll of parchment. Visitors to the exhibition were able to watch the robot in action, and this is not the first time that the research company has offered man-machine engagements meant to spur the imagination and blur preconceptions about interaction, including several parties hosted by robotic disc-jockeys.

I am not sure what the difference is between the written word and the printing-press in terms of (faithful) reproduction, but there is something about the technical acumen and tirelessness that's very alien to the dedication and errata of monks in a scriptorium. Coincidentally, after learning of this robotic feat Atlas Obscura featured in some of newly added destinations a related project from human-hands. Britain's Royal Calligrapher is determined to produce the first complete illuminated manuscript of the Bible since the invention of the printed word. Not being an automaton, the endeavour is taking some time and is yet incomplete, though one can marvel at the heft and artistry of the progress. The calligrapher designed a unique font and has illustrated hundreds of capitals and margins for the undertaking as well, and without volition, this is something a machine could never do. I wonder, however, if one could tell the difference between human creativity and a machine survey of the history of human art and orthography for an approximation of imagination, and notwithstanding technical perfection and fatigue, would we be able to tell the difference and what would that mean. I guess those are the kinds of questions such spectacles ask.

Monday 6 February 2012

sexagennial or diamond jubilee

Her Majesty, Elizabeth Alexandra Mary Windsor Batten-berg,  Queen of Ireland and the British Dominions Beyond the Seas, Defender of the Faith, Lord of Man, Duke of Normandy, &c. is celebrating the beginning of her sixtieth year on the throne, and plans extensive tours this year to celebrate her legacy and reconfirm her commitment to her subjects. She has seen and overseen a great deal of transformation in her domain, public and private, and has remained dedicated and engaged, reserved and steadfast, and bound as much by ceremony and traditions which certainly bear further study, continues to be an inspiration. That an institution and a personality can weather with grace and determination six decades of change that has over-turned many others is certainly an impressive feat.  Joining millions of other well-wishers, I hope that the Queen's professionalism and service endures for years to come.

Sunday 5 February 2012

docking bay 94 or suitable for framing

Via Boing Boing and Neat-o-Rama, the galleries at Tor.com have curated an outstanding collection of modern art reinterpreted with science-fiction movie themes.
These two works from John Mattos, first reimagining Pablo Picasso's the Three Musicians with the Figrin D'an Band and other elements from the Cantina at Mos Eisley and then Marcel Duchamp's iconic abstract painting with C-3PO descending a staircase, are among the best.