dexterity or hand-jive

Yesterday on the news, I learned about a project and an exhibition that is coming to an end that illustrated the nuanced relationship among humans and machines through one purpose-built scribe. For several months, a robotic-arm from a research laboratory in Karlsruhe has been reproducing the Luther Bible in an early Renaissance hand on a very long, continuous scroll of parchment. Visitors to the exhibition were able to watch the robot in action, and this is not the first time that the research company has offered man-machine engagements meant to spur the imagination and blur preconceptions about interaction, including several parties hosted by robotic disc-jockeys.

I am not sure what the difference is between the written word and the printing-press in terms of (faithful) reproduction, but there is something about the technical acumen and tirelessness that's very alien to the dedication and errata of monks in a scriptorium. Coincidentally, after learning of this robotic feat Atlas Obscura featured in some of newly added destinations a related project from human-hands. Britain's Royal Calligrapher is determined to produce the first complete illuminated manuscript of the Bible since the invention of the printed word. Not being an automaton, the endeavour is taking some time and is yet incomplete, though one can marvel at the heft and artistry of the progress. The calligrapher designed a unique font and has illustrated hundreds of capitals and margins for the undertaking as well, and without volition, this is something a machine could never do. I wonder, however, if one could tell the difference between human creativity and a machine survey of the history of human art and orthography for an approximation of imagination, and notwithstanding technical perfection and fatigue, would we be able to tell the difference and what would that mean. I guess those are the kinds of questions such spectacles ask.

sexagennial or diamond jubilee

Her Majesty, Elizabeth Alexandra Mary Windsor Batten-berg,  Queen of Ireland and the British Dominions Beyond the Seas, Defender of the Faith, Lord of Man, Duke of Normandy, &c. is celebrating the beginning of her sixtieth year on the throne, and plans extensive tours this year to celebrate her legacy and reconfirm her commitment to her subjects. She has seen and overseen a great deal of transformation in her domain, public and private, and has remained dedicated and engaged, reserved and steadfast, and bound as much by ceremony and traditions which certainly bear further study, continues to be an inspiration. That an institution and a personality can weather with grace and determination six decades of change that has over-turned many others is certainly an impressive feat.  Joining millions of other well-wishers, I hope that the Queen's professionalism and service endures for years to come.

docking bay 94 or suitable for framing

Via Boing Boing and Neat-o-Rama, the galleries at Tor.com have curated an outstanding collection of modern art reinterpreted with science-fiction movie themes.

These two works from John Mattos, first reimagining Pablo Picasso's the Three Musicians with the Figrin D'an Band and other elements from the Cantina at Mos Eisley and then Marcel Duchamp's iconic abstract painting with C-3PO descending a staircase, are among the best.

what time is it, ma?

Why, it's Deco Time! We're presenting a new blog that H has put together that will feature some of our antique finds along with educational resources and reference material. It is still in the developmental stages, but it is sure to showcase some fun and fine stuff.