trylon and perisphere (10. 708)

Opened with a simulcast that inaugurated regularly scheduled television programming in New York City by NBC by President Roosevelt, the World’s Fair in Flushing Meadows-Corona Park, Queens welcomed a crowd of over two-hundred thousand spectators on its first day, an overcast Sunday this day in 1939. Originally conceived four years prior as make-work scheme during the height of the Great Depression to help improve the city’s economy and revitalise an ash dump that was to be the site of the fairgrounds, the chosen slogan was “Dawn of a New Day” and invited visitors to have a glimpse of the “world of tomorrow”—though the beginning of World War II four month before the starting ceremonies affected the participation of several countries and exhibitions and pavilions were scaled back. Under the direction of Edward Bernays (previously here and here), responsible for promotion and public relations and calling the event “democracity”, many leading scientists of the day, including Albert Einstein, were on the agenda giving presentations and lectures but many bemoaned the atmosphere for being bereft of actually science and more focused on consumer products—though the gimmicks and gadgetry were nonetheless captivating.  Exhibits included a time capsule to be opened in five millennia, an electrified farm, a synthesised voice called the Voder, a calculator that used punch cards, a computerised video game, a robot that smoked cigarettes, a visit by Superman and friends plus several exhibitions of fine arts and historical artefacts from participating nations, several of which were stored at Fort Knox for safe keeping with the escalation of hostiles to be repatriated after the fighting ceased.

the galactic menagerie (10. 707)

Referencing a trend we recently reported, via Boing Boing, we were rather taken by this fantasy trailer from a collective called Curious Refuge, imagining what the saga of Star Wars (see previously) might look like if filtered through the twee and quirky aesthetic of Wes Anderson. It’s not just the particular colour palette and blocking—the TIE fighters and droids are particularly lovely.

in the room the women come and go, talking of michaelangelo (10. 706)

The BBC reports that the Florida principal pressured to resign after introducing pupils to the artist’s masterpiece, David, without prior parental approval of the curricula, has travelled to Florence with her family and saw the colossal marble statue in person at the Accademia Galleria, at the invitation of the museum’s director. The biblical figure whose nakedness and vulnerability represent the triumph of purity over the forces of evil was originally destined as an ensemble lining the roof buttresses of the cathedral but once finally realised, authorities instead decided, due to its size and grandeur, to place the statue in the public square of the seat of the Florentine government in 1504. A fig leaf (foglia di fico, a loin-garland) was added shortly after installation and though not a permanent addition, the practise was perpetuated by Victoria after expressing shock over the nudity of a full scale replica presented to the Victoria & Albert Museum. The original was removed from Palazzo della Signoria to the gallery in 1873, with a copy on public display, to protect it from the elements.

famicase (10. 705)

In what’s become an anticipated yearly tradition, various artists, like the pictured from Zach Roy, conceive, develop and design cartridges for Famicom video games—what might be more familiar as the Nintendo Entertainment System (NES) was first released in Japan in 1983 as the Family Computer. Exhibitions have been hosted annually since 2015. What 8-bit everyday adventure would you create?

number one, the bridge is yours (10. 704)

Via the Verge, we are directed to a feature on the Roddenberry Archive that allows one to virtually explore nearly every conceivable, canonical iteration and model of the Enterprise, and tour not only the helm, but the captain’s ready-room, turbolifts, various decks and labs and interact with various controls and dials. This holodeck does not just cover the ship of James Kirk or Jean-Luc Picard but also the Enterprise of the Mirror Universe and different timelines. More at the links above.

8x8 (10. 703)

iter vestrum: a journey to the ends of the Roman Empire with contemporary routing guides—see previously 

the bartender’s travelling book: the secret history of the drinks recipe anthology that has crossed the globe 

eigengrau: a colour palette of what people report to see with their eyes closed—see previously—via Web Curios 

chirper: a social media network only for AI—via ibīdem  

casas del turuñuelo: first figural representations of the Bronze Age Tartessian culture found, an Iberian people spuriously linked to the myth of Atlantis—see also 

aurabesh: a very thorough Star Wars inspired typeface—see also—via Kottke 

toby mug: an assortment of East End brewery labels  

bradshaw’s guide: a travelogue of modern Europe with a Victorian era itinerar—check out Messy Nessy’s new look

mikiphone (10. 702)

Via Strange Company, we are directed to the engineering, miniaturisation marvel of the early 1920s in the first pocket phonograph—long predating but seemingly not prefiguring other mobile players that came decades later. Designed by brothers Miklós and Étienne Vadász and licensed for production by Maison Paillard of St Croix, formerly of the music box industry, it required a bit of self-assembly and a some hand-cranking to get the turn-table to spin. More, including a demonstration at Danny Dutch’s Blog at the link above.

atomgrad (10. 701)

A closed town founded in 1970 to serve the neighbouring Chernobyl Nuclear Power Station but not restricted like other cities and a showcase of Soviet engineering and innovation, Prypriat (При́пʼять) was evacuated on this day in 1986 following the disaster and has remained, within the exclusion zone, a time capsule slowly being reclaimed by nature and a draw for urban explorers. One particular attraction is the amusement park, slated for a grand opening for May Day celebrations in a state of abandon and ruin, with the iconic ferris wheel (Круговой обзор, circular overview) photographed as a symbol of the catastrophe and the delayed announcement of the danger, a population of some fifty thousand imperilled by high radition exposure for over thirty-six hours since the initial fire and steam explosion.