otherworldly

Perfectly embodying the above phrase, the Martian helicopter Ingenuity on a recent survey flight found and documented the wreckage of the landing gear, parachute and buffering shell of the rover Perseverance.  Click to enlarge plus more at the link above.  The photographs and telemetry will inform future missions on how to best protect payloads and optimise equipment.

7x7

elizabeth tower: a tour inside of Big Ben—see previously  

the nine octave harp of the universe: outside scientist Walter Russell—for whom Nikola Telsa said the world was unprepared  

weblog: a nodal map of some of the blogosphere—via Things Magazine  

quilting bee: everyday signage as fabric mosaics by Jeffrey Sincich  

the panic office: fantasy arcade game casings

🏣: a gallery of of beautiful 1920s Japanese postcards   

dangerous intersection: decades of traffic collisions and other corner happenings captured by a young photographer (see also)

hollywood on the tiber

Dedicated on this day in 1937 by Fascist dictator Benito Mussolini, the sprawling studio complex in Rome, Cinecittà, was built in accordance with the motto ”il cinema è l‘arma più forte“—that is, movies are the most powerful weapons. Their aims however were not exclusively for propaganda with the primary goal of reviving the country‘s flagging film industry, which had virtually collapsed in the early 1930s. Subject to bombardment during World War II and post-war was host to an encampment for displaced persons. Rebuilt in the early 1950s, the studio site garnered the titular nickname with over three-thousand productions, including Roman Holiday, Quo Vadis, Ben-Hur, Cleopatra, The Agony and the Ecstasy plus numerous films by Franco Zeffirelli and Federico Fellini. More recently the the studios were the set of the BBC/HBO co-production Rome and The Young Pope, a full-scale mock-up of St Peter’s and the Sistine Chapel on site, just a few kilometres away from the actual location.

flagging interest

Most posts here can be filed under miscellany but we have spent some curating labels and last year starting transitioning to using emoji but am feeling more than a little bit equivocal about having chosen to use national and constituent flags as tags, and via Shady Characters (previously) we learn that the governing body of Unicode will no longer be entertaining proposals for new flags—as those states with region codes are added automatically according to the canonical authority ISO 3166. Already fraught with politics and foreign relations, sub-divisions (exceptions not withstanding) will not be granted an officially sanctioned emoji—with the same restrictions applied to historic flags and movements, since it is impossible to please all sides and it’s not always obvious if the least worst choice was made. Some platforms (see also) and operating systems have always eschewed this controversy by using a pair of letters or a featureless flag (🏴).

pronkssõdur

After talks of relocation triggered controversy and violent rioting referred to as Bronze Night (Pronksiöö), municipal authorities in Tallinn dismantled and moved a Soviet-era war memorial called the Bronze Soldier built at the site of war graves on this day in 2007. Originally dedicated to the “Liberators of Estonia” it was renamed as the “Monument to the Fallen,” and while seen as a symbol of Soviet occupation and suppression after World War II by many, Russian populations, intensely protesting the decision and crippling the country with cyber-attacks, viewed the statue, prominently in the city centre, as not only representative of victory over the Nazis in the Great Patriotic War but also legimitising their claim to Estonia—set to re-establish their independence after Germany’s retreat. The statue and remains of the dead were placed, re-interred in the national military cemetery outside of Tallinn. One direct outcome of the riots and targeting of Estonian essential infrastructure was the creation of the NATO Cooperative Cyber Defence Centre of Excellence, located in the capital.

where have all the merrymakers gone?

In wide release on this day in 1998 after being first previewed to Seattle radio stations and quickly picked up and circulated as an international and enduring hit, Harvey Danger’s Flagpole Sitta (from the Marx Brothers’ Animal Crackers which features a dialogue about the 1920s fad after the stylites of old and the eye-dialectical for other contemporary compositions like Fame Throwa or Straight Outta Compton) is a literate critique of the self-same music scene and the ramifications it had for popular culture as a post-grunge anthem. I’m not sick but I’m not well.

arch-fiends

Kyiv mayor Vitali Klitschko announced that the Soviet-era monument, a large titanium arch in the city centre over an ensemble of statues including two bronze workers erected in 1982 on the sixtieth anniversary of the USSR and fifteen-hundredth anniversary of the founding of Kiev representing the Order of Friendship of Peoples will undergo alterations.  Known locally as Ярмо́, the comrades holding aloft a medal symbolising this accord that saw the reunification of Ukraine with Russia have been dismantled (see also), and whilst the arch—which since the 2014 annexation of Crimea has born a crack painted by activists to indicate the strained relationship—will remain but be highlighted in the colours of the Ukrainian flag.  Reportedly, the figure representing Russia was accidentally decapitated during removal, and further streets (see previously) named for Russian personages will be renamed—emphasising of course that Russian culture is not under attack but rather the ideology of monument and memorial is liable to be bankrupt given current affairs.

філателі́я

A couple weeks after members of the public queued to purchase postage stamps commemorating the defenders of Snake Island and Roman Hrybov defiantly telling off “Russian Warship,” the Mockva (originally built in 1979 in a Ukrainian shipyard for the Soviet navy as the Slava—Glory), the flagship of Russia’s Black Sea fleet now sunk, Ukrposhta announces it will be issuing a new stamp, from eleven year-old illustrator Sophia Kravchuk, dedicated to the memory of the largest airplane in the world, the Mriya, destroyed by the Russians during the opening salvos of the invasion.