7x7

improper fraction arena: Via friend of the blog Nag on the Lake’s superb Sunday Links and the depths of Wikipedia comes a list of articles submitted and ultimately rejected by dint of insanity  

possible to express in words: a useful term with a surprisingly sparse corpora 

reprise: another look at Davie Bowie’s 1973 The 1980 Floor Show through some raw footage—see previously 

a moveable feast: a look at the mode, median and mean dates for Easter and the method of computus  

a kitty bobo show: Kevin Kaliher’s pilot that went ungreen-lit in favour of Kids Next Door  

micromachines: researchers developing tiny molecular motors that could be deployed en masse to suck carbon from the air, supplement our own organs—via Slashdot  

did you know: from the depths to the Main Page

doctor tongue’s 3d house of pancakes

On this day in 1953, the American period horror film directed by André De Toth and starring Vincent Price (previously) as a disfigured sculptor who resolves to repopulate his destroyed wax-museum with murdered townsfolk coated in paraffin on display, House of Wax, had its premiere opening in New York City before general release on 25 April. Whilst Colombia pictures’ noir remake of Ralph Bellamy’s The Man Who Lived Twice, Man in the Dark was the first studio 3D release, albeit in black and white, bet this film by two days, this was the first major production company colour-presentation with stereophonic sound that could be screened in regular theatres (the independent Bwana Devil—which had packed audiences in cinemas in 3D glasses—preceded both by a few months and the success caught off guard). Also starting Phyllis Kirk, Dabbs Greer and Charles Bronson, the film featured some clever and startling foreground effects despite the irony of the director being unable to perceive depth himself due to blindness in one eye caused by an accident as an adolescent and wore a balck eyepatch for the rest of his life.

8x8

r/place: Josh Wardle’s (previously) first viral success with this collaborative subreddit  

modern screen: an annotated read along of a February 1961 celebrity magazine  

hey hey, rise up: Pink Floyd reunites to support Ukraine  

see you later, percolator: a gallery of vintage, commercial coffee makers  

spotifictional: a streaming back-catalogue of bands from television and the movies 

cheese heist: dairy crime-rings around the world—see also  

scratchcard lanyard: a song from Dry Cleaning 

explordle: guess the global cities as webcam images flit by—via Web Curios

narkotyki

We thoroughly enjoyed this introduction to the artist, novelist and political theorist of the inter-war period in Europe Stanisław Ignacy Witkiewicz (*1885 - †1939, known professionally as Witkacy), witness to quite a bit of history, through the lens of his portrait factory, with many of his commissions documenting his drug intake—even if just the dregs of caffeine from a cup of coffee—with coded annotations whist painting, usually under a course of self-medication of synthesised mescaline, cocaine, nicotine and alcohol, aggressively marketed to the masses at the time, despite addiction and substance abuse being acknowledged problems, as relief for those broken by World War I. Wikiewicz died by intentional overdose after fleeing to eastern Poland after learning of the Nazi invasion on the western border when he heard reports of the Soviets approaching from the opposite flank. More from Public Domain Review at the link above.

jacob and sons

Originally recorded as a children’s pop cantata in 1968 at Cole Court School for Boys and workshopped some more before becoming a full-fledged fixture in the repertoire of musical theatre, Tim Rice and Andrew Lloyd Webber collaborated with the group The Mixed Bag to produce The Joseph Consortium in 1971, a cross between rock opera and psychedelic kids show (previsioning another parallel composition) that was a retelling of the biblical figure and patriarch of the Book of Genesis, Joseph.  Any dream will do.

saponification

Accomplished French chemist and professional skeptic whose research and work had a immense influence in several disciplines of science, mathematics and the arts as well as helping to establish the field of gerontology with himself a subject of study, Michel Eugène Chevreul (*1786) passed away on this day in 1889 in Paris, aged 102. Revolutionary work with vegetable oils and animal fats fundamentally changed the manufacture and availability of soap and candles—incidentally leading to an understanding of the pathology and treatment of diabetes. Having first honed his acumen as chemist in a dye and pigment manufacturing plant, Chevreul expounded several volumes regarding the theory of colours and their compliments which particularly informed Impressionist and Pointillist styles, after his career with oleic experimentation, he set his focus on disenchanting, disabusing the public of popular charlatanism and mysticism and raging against seances and table-turning, giving one of the first explanations of the ideomotor effect for mediums and dowsers. Having lived through the French Revolution, Chevreul was one of the seventy-two scientists and engineers commemorated on the first balcony of the Eiffel Tower and was only one of two honorees alive to see the Tricolour raised at the top of the structure.

imperial ambitions

On this day in 1783, Czarina Catherine the Great announced the annexation, following a favourable outcome in the Russo-Turkic Wars against the Ottoman Empire, of Crimea, the right-bank of the Kuban region and the Taman peninsula that separates the Azov from the Black Sea. Other territorial expansion during long reign included parts of the Polish-Lithuanian Commonwealth, Novorossiya (roughly corresponding to the Bessarabia region of Moldova and coastal areas of Ukraine) as well as Russian America. Also on this day in 1812, Czar Alexander I (grandson of the former) issued a decree to make Helsinki the capital of the semi-autonomous Grand Duchy of Finland—having seceded from Sweden and part of the Russian Empire from 1809 until 1917

extremophile

Appearing a bit like the Microsoft start button, this remarkable halophilic (salt-loving) microorganism classified as Haloquadratum walsbyi was discovered in the 1980 in briny pools on the Sinai peninsula. The single-celled creatures are virtually flat and nearly perfectly square and often form colonies of “sheets” visible to the unaided eye in order to maximise solar reception and contain tiny gas vesicles, which look like crystals, that help the cell remain buoyant and near the surface of the salty water they inhabit.