Hailing from Cardiff, this rock group, which was quite more than a one-hit wonder with their hits “Bend Me, Shape Me” and popular cover of “Gin House Blues” if not a bit overshadowed by contemporary bands, had their first and only chart-topping success beginning on this day in 1969, holding the number one spot for weeks with “(If Paradise Is) Half as Nice.” The song was a translated version of a popular Italio-Pop standard “Il paradiso della vita.”
Saturday, 12 February 2022
amen corner
catagories: ๐ถ, ๐ด๓ ง๓ ข๓ ท๓ ฌ๓ ณ๓ ฟ, 1969
7x7
forum gallorum: step into this unassuming salon to inspect a piece of Roman London, reminiscent of discovering this shopping mall in Mainz—via Nag on the Lake
shred, white and blue: the totally normal and perfectly legal ways the White House handled official records
neft daลlarฤฑ: a decaying offshore oil platform in the middle of the Caspian Sea
the thoughtful spot: the Phrontistery (ฯฯฮฟฮฝฯฮนฯฯฮฎฯฮนฮฟฮฝ, Greek for the thinking place) catalogues a treasury of rare and obscure words—via Kottke
gumshoe: the bygone era of the hotel detective—via Strange Company’s Weekend Link Dump
be mine: the Lupercalia and the origins of Saint Valentine
incoming photons
Though instruments are still in the process of cooling down to their optimal operating temperature just above absolute zero and the resultant first blurry image of a star is unresolved and bounced through an array of eighteen telescopes instead of lensed as one, the research team behind the James Webb Space Telescope (previously) were understandably over the Moon to learn that the craft had successfully navigating in position and will be up and running on schedule. Even though the mirrors are not yet aligned, the resulting multiple-exposure did utilise the full capabilities of the imaging hardware, capturing four-four gigabytes of raw data to form a two billion pixel picture.
der totentanz
Premiering on this day in 1912 at the newly constructed “Glashaus” studio in the Neubabelsberg district of Potsdamm—what would become the production company—the silent picture in three acts, The Dance of Death, directed by Danish filmmaker Urban Gad with camera work by Guido Seeber, only is known to exist in fragments. The movie relates the tragedy of Bella Burk (Asta Nielsen) whose engineering husband (Oskar Fuchs) is badly injured during a factory mishap and is no longer able to support the family. Bella finds employment as in a vaudeville act as a singer and dancer, scandalising audiences and critics with her exotic belly dance which would have otherwise proved merely scintillating if it wasn’t ultimately a fatal mental breaking point for the new object of her affection and infidelity, the troupe’s composer, Czerneck, portrayed by Fritz Weidemann.
bib
Founded on this day in 1973 under the executive agencies of the West German Federal Ministry of the Interior (with this boss door which we can all appreciate) in Wiesbaden, the Institute for Population Research (Bundesinstitut fรผr Bevรถlkerrungsforschung) was originally charged with investigating perceived declining fertility rates in the country but has since taken on more enlightened and enlightening studies, working closely with Destatis (see previously here and here), in demographics including longevity, migration and economic mobility.
Friday, 11 February 2022
7x7
heiti and songti: the typefaces that helped China transition to the digital age
no soup for you: the Fay-Cutler malapropism (see previously) of the week
earn it act: controversial bill restricting encryption—presented as an anti-trafficking and child safety initiative (see also) passes committee in the US Senate
quantitative easing: lampooning practises that exacerbate inflation and speculation, an artist in Kuala Lumpur opens Memebank
all hail hypnotoad: Futurama (previously) returns for an eighth season—with most of the original talent
dingbats: a typographic homage to pre-emoji Webdings—see also for one carry-over
summa theologica
Via the weekly anthology of Web Curios, we get this nice appreciation and reminder that the resources underpinning the Internet are not self-sustaining artefacts but require care and maintenance—even if only for academic pursuits and no aspirations for virality or attempt to monetise or capitalise on the scholarship of its subject matter as the Non-Fungible Testament—in revisiting the venerable repository the Internet Sacred Text Archive, which for twenty-three years has weathered all sort of trends and beaten back the spectre of the Digital Dark Ages to curate and present foundational texts in comparative religious and folklore traditions.
cosmic comics
Via Waxy, we are treated to a spread of sci-fi comic panels of as reimagined by a generative adversarial network (see previously) trained by Frank Force. These brilliant runs of landscapes and backgrounds are fully customisable with switches and sliders to adjust for colour, shadow, star-type and more.