djet et décoratifs

Though we tend to mostly imagine the chassis of classic automobiles as neatly unadorned, artist Sonia Delaunay, co-founder of the movement known as Orphism, a branch of Cubism emerging as distinct from 1912 onwards, bestowed a quite remarkable and unexpected amount of detailing to the bodies of older autos, especially in the 1920s when a

custom job was very much in order. First living woman artist to enjoy a retrospective exhibition in the Louvre and officer of the Legion of Honour, Delaunay’s introduction of geometric abstraction as a regular and customary feature helped establish brilliancy and the Gestalt across her chosen canvas. More to explore at the links above.

8x8

autobus park № 7: explore Kyiv’s derelict modernist transportation hippodrome—via Things Magazine  

blue: listen to rediscovered demos and outtakes from Joni Mitchell’s album on its fiftieth anniversary 

i’m chasing martian: excellent auditory illusion illustrated—see previously—from chanting fans  

dark matter, dark fish: the overwhelming biomass of Earth’s ecosystem is essentially undetectable for us (see also) yet we claim the right to rubbish it  

warriors of the zenith, warriors of the nadir: a 1904 ethnograph of Zuni ritual masks  

work-life balance: Japanese government proposes four-day work-week  

shareware: a look at the App Store’s predecessor, Software Labs  

private viewing: the collectors who saved modernist Soviet masterpieces

lullusglocke

Though we didn’t know what the belltower of the ruins of the monastery contained last time we visited Bad Hersfeld, we now know to check out next time the oldest, dated cast church bell in Germany, named after a sainted abbot of the town and later first archbishop of Mainz, Wessex-born Lullus. According to a highly abbreviated, Latin inscription the thousand kilogramme bell was moulded on this Feast of Saint John the Baptist in 1038. Hanging in the Katharinenturm amidst the church’s foundations and partial walls, it is rung to herald the town’s Lullusfest, held in the second week of October to commemorate the passing its namesake and other special occasions.

fors fortūna

Here depicted in the Carmina Burana manuscript, the Roman personification of fortune and luck often includes in her iconography a gubernaculum—that is a ship’s rudder for steering rather blindly for boon or for bane, the name of the goddess and what she represents seems to derive from vortumna—she who revolves throughout the year and whose temple was dedicated on this day, marked by celebrants floated downstream on the Tiber to the Forum Boarium for the event only after secret rituals were expected to row back to the city, bedecked with garland. The goddess has numerous aspects that were celebrated throughout the year and during life-events, including Fortuna Annonaria, luck in harvest, Fortuna Virilis, a lucky match, Fortuna Redux, to return home safely, Fortuna Huiuse Diei, luck of the moment and Fortuna Barbata, good luck in adolescents becoming adults.

rotation № 17

Born this day in 1926 in Berlin (†1999), Robert Rotar was a painter, sculptor and photographer whose contemplative, meditative repertoire drew on symbolism, instructions—flow-charts from alchemy and astrology and was quietly prolific and accrued many patrons from all over the world. Receiving artistic training in Köln after the war—his studies at the Waldorfschule and Vitte in Hiddensee interrupted, Rotar became a member of the Deutsch Werkbund, collegial with Mies van der Rohe, Joseph Beuys, Florence Knoll, Alfred Schmela and other gallerists and artists, departing somewhat from the school’s usual output with a doctrinaire opus that conveyed a certain philosophic correspondence, indulging a trance-like state as he worked, especially with spirals, which embraced the motif of coincidentia oppositorum—out of the union of opposites wisdom is gained and cultivated close friendships with such contemporary thinkers as Werner Heisenberg, Niel Bohr, Wolfgang Pauli and Erwin Schrödinger.

midsommarafton

Roughly corresponding with the June solstice and supplanting age-old rituals marking the changing season and agricultural and husbandry chores by calling it the eve of the Feast of John the Baptist, who according to liturgical sources was six months before Jesus, the festivities of midsummer making when the days start to diminish again after waxing longer to turn again on midwinter and Christmas, a reflection of the doctrine that John was preparing the way for Jesus and had to yield the stage at the right time. Customs leading up to the celebration include the lighting of bonfires and leaping over them—especially on the beaches, and the gathering of medicinal plants as those collected including verbena, rosemary, fennel, foxglove and Saint John’s Wort on this day are imbued with special potency. Originally titled St John’s Night on the Bare Mountain, Modest Mussorgsky’s iconic composition was renamed and revised to include a final daybreak movement and the peal of church bells to hasten away the mischievous and malevolent.

breatharians

As Slashdot reports, a research team studying molecular plant physiology under the auspices of the Max Planck Institute and the University of Naples is demonstrating that making food from air, isolating carbon-dioxide with a spark of energy from a solar cell in a process that mimics photosynthesis, is poles more efficient than growing food crops, such as soy, corn, wheat or rice. Feeding microbes in a bioreactor produces as a nutritious by-product a protein powder suitable for consumption.

daylight robbery

Once again via Things Magazine, we quite enjoyed this series of photographs from Andy Billman of bricked up windows from buildings across London that evoke the interesting and immediate aesthetic (see also) that falls into the category of being a Thomasson—that is, a preserved architectural relic without apparent purpose or historical significance—plus the contextualisation in the form of a window tax enacted the late seventeenth century, meant to be a progressive levy on the mansions of the wealthy but instead misapplied to tenement dwellings and prompted the restriction of light, view and ventilation, contributing to squalid conditions and spread of disease. Much more to explore at the links above.