Though with the arrival of the รon of Horus humanity is supposed to have spiritually evolved to the phase where the precept and obligation to oneself and others was to “Do what thou wilt shall be the whole of the Law,” Aleister Crowley (previously) in 1904 along with his new bride, Rose Edith Kelly, was accountable for a bit more clarification and codification as mediums for a supernatural visitor—a disembodied voice—called Aiwass whom dictated to the newly married couple on their honeymoon in Cairo the three chapters of The Book of the Law of Thelema. Thankfully, each day from the eighth through the tenth of April, sessions only lasted an hour from noon, concluding the with the final volume published five years later, with the couple able to resume their vacation once Crowley emerged from his trance in the part of the hotel suite designated as the “temple,” though it seems that they had already done quite a bit of sight-seeing at this point, with a night spent in the Royal Chamber of the Great Pyramid of Giza two weeks earlier having the spirits in the first place. While the messenger for the whole of the transcript was Aiwass, each separate character was the first person narrative of the avatars represented by the Egyptian goddess and gods Nuit, Hadit and Ra-Hoor-Khnuit and despite the title contain more revelations and prophesies rather than anything proscriptive, with Crowley claiming to disavow the magical document and only having it published to exorcise the weight it held over him.
Saturday, 10 April 2021
liber legis
Friday, 9 April 2021
smells like nirvana
Via The Morning News, we are directed to the Lost Tapes of the 27 Club, an AI-driven homage to the cadre of talent bereft of this world far, far too soon by imagining, synthesising the continued, posthumous hits of musicians who departed prematurely at that age including Jim Morrison, Jimi Hendrix, Amy Winehouse and Kurt Cobain, resurrected by machine on new technology.

7x7
tsugite: software that generates traditional Japanese joinery (previously) that can be 3D printed or precision cut
prince albert in a can: a collection of fish tin labels from a digital museum dedicated to the Portuguese canning industry
cosmic nature: artist Yayoi Kusama exhibits at New York’s Botanical Garden
tune-dex: the real-fake book of jazz standards, essential to musicians in the 1970s
dingbat: thirty select works of Mid-Century Modern print for inspiration
beer is proof god loves us and wants us to be happy: brew theorems post US National New Beers’ Eve ahead of the anniversary of rescinding parts of the Volstead Act that allowed for consumption of higher proof beer
ukiyo-e: the unintentional ASMR of a master printmaker at work
responsable de style
Via the always interesting Things Magazine, we are directed towards an appreciation and celebration of the life and work of the recently departed French engineer and automobile creator Robert Opron (81932), head of the design department at Citroรซn since 1964 and then working with Renault in 1975—headhunted to develop an ultra-compact city car concept before transferring to Fiat and Piaggio a decade later.
Custom coachbuilt Citroรซn Presidentials were commissioned for Queen Elizabeth’s state visit in 1971 as well as this clever CX camera car for the BBC were Opron’s doing and his whole line of models were visionary and iconic whilst working with the major French and Italian manufacturers.
Opron’s most innovative and unconstrained design was for the smaller Fiat spin-off Simca with his first foray in 1958 in the bubble-topped, roving UFO called the Fulgur—Latin for lightening. Responding to an industry challenge to create a vehicle for the 1980s, this two-wheeled, gyroscopically-balanced concept (“idea”) car was to be—though not in the demonstration car—was to be guided by radar, voice-controlled and atomically-powered. More from the obituary at the link above.
your daily demon: marbas
Governing from today through 14 April, this fifth spirit and infernal president, ruling thirty-six legions, presents as a lion until brought under the control of the exorcist—whereupon Marbas dispenses wisdom on mechanical conundrums and has the potency and power to both cause and cure disease, leading some to source the name to barba, Latin for beard as well as the plant hellebore—a toxic herb used in witchcraft to summon (and banish) demons.
unit 4 + 2
Topping the UK charts this week in 1965 with the single “Concrete and Clay” by band members Tommy Moeller and Brian Parker. The ballad extolls the indestructible nature of the singer’s love and appealed to listeners with its rather unique Latin beat and acoustic guitar, and as with other successful songs at the time, four international cover version, Finnish, French, Swedish and German, were produced as well. With numerous other renditions, it was also featured on a British toothpaste jingle and a Dutch chocolate commercial.
Thursday, 8 April 2021
the principle of plenitude
While there is surely some artistic license for exuberant abundance at work in these Belle รpoque parlours, drawing rooms, studies and grand halls, especially if commissioned by the landed-gentry to show off their ostentation in the best light, we quite enjoyed this conspicuously non-minimalist gallery of interiors. It’s quite the look book. The above title could apply to the taste in decorating these room, but is generally used to refer to a cosmological stance that the Universe contains all possible forms of existence, either always and forever in diversity or in a state where the range of miscellany accrues over time. Some houses and collections do the latter.
catagories: ๐จ, ๐ญ, architecture