First observed on this evening in 1106 and visible in the night sky for six weeks before fragmenting into many smaller pieces and heading back out into the Solar System, corroborated by astronomers in China, Japan, Korea, Continental Europe, Wales and England, the Great Comet was regarded as a highly portentous omen.
Returning in 1882, it is now classified as a member of the Kreutz Group of sungrazing comets (Sonnenstreifer, Sonnenkratzer, namesake of Heinrich Carl Friedrich Kreutz who studying their orbit and periodicity, determined that they were all related phenomenon), approaching close enough to the Sun at perihelion that they are prone to being broken up or made to evaporate entirely. Though no particular boon nor doom is directly associated with the Great Comet’s appearance, such documented observances synchronise and coordinate ancient calendars.
Tuesday, 2 February 2021
x/1106 c1
6x6
pitch and pent: the rooftop illusion demonstrated by Kolichi Sugihara of the Meiji Institute for Advanced Mathematics
making sense of scents: the olfactory capacities are underestimated—via Messy Nessy Chic
have fun storming the castle: The Princess Bride re-enacted in its entirety as home movies under lock-down
matinee at the bijou: the Internet Archive (see previously) has digitally curated a massive cinematic history library
pyrophone: a flame organ that amplifies the tones of vibrating, burning hydrogen
10100:an individual engineers an analogue, modular calculator (see also) to count up to a googol
Monday, 1 February 2021
๐️๐จ️
Via Waxy, we are referred to an expansive and growing and searchable collection of graphic design related items, materials and resources organised from and available at the Internet Archives (previously) by curator Valery Marier. Categories include font specimens, annuals, style guides, book jackets, infographics, data visualisations, various advertising ephemera and vintage branding devices.
catagories: ๐, ๐ฃ, libraries and museums
memory alpha or first recorded use
Our thanks to the always outstanding Everlasting Blรถrt for referring us to the Historical Dictionary of Science Fiction that gives the etymology of words and phrases in the genre and expounds on their earliest citations (see also for general use).
Unobtanium, for instance, predates Avatar by a half a century, first in print as a bit of industry jargon that researchers working on the noses of intercontinental ballistic missiles sought after in 1956. Warping space-time as a means of travel dates back to 1936 J. Williamson’s short story Cometeers. Before Chewbacca, in Lucas’ dystopian directorial debut THX 1138 there was the line: “I think I ran over a wookiee back there on the expressway.”
7x7
japandi: a lookbook overview of interiors that combine Japanese and Scandinavian aesthetic elements
six arms strong and true: more machinalia from Boris Artzybasheff—see previously
pharmaduke: re-captioning the Brad Anderson comic strip with psychedelic trip narratives, via Things Magazine
high stakes: revisiting a quarter-century old public wager that technology would destroy society—via Slashdot
vaccination venues: the architecture of public health promotion
house of style: supermodel Cindy Crawford guides us through Paris Fashion Week in 1992 on her MTV show
gradation: moving from binary to blended, a study of the spectrum of everyday objects commissioned for Japan’s award-winning children’s education programme Design Ah
imbolc
Traditionally celebrated as one of the four Celtic, Gaelic seasonal festivals and marking in the Northern Hemisphere the beginning of Spring—complete spring-cleaning, well-dressing with weather divination and forecasting to watch for serpents or badgers to emerge from their dens, directly informing Groundhog Day customs. Displaced and ensconced with the Christianisation of the ancient lands were these rituals emerged, Saint Brigid of Kildare, the co-patron of Ireland, is regarded as a syncretion of the goddess of the same name associated with the light half of the year, smithing, healing, poetry and fertility, attributes which are reflected in the saint’s patronage—plus the state of Florida.
catagories: ๐ฎ๐ช, ๐ฎ๐ฒ, ✝️, ๐ด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ, ๐ , myth and monsters
greenglish
Fully cognizant and acknowledging that language changes and that linguistics are descriptive rather than prescriptive, the erosion of Greek, with a cultural continuum spanning some forty centuries is being exacerbated and accelerated by the jargon of the pandemic (naturally a Greek word) and the forms of transmission that lockdown (ฮบฮปฮตฮฏฮดฯฮผฮฑ ฮฑฯฯ
) privileges. All of these terms would be receptive to translation, if not in an awkward fashion that’s possibly less expedient once these borrowings and neologisms take root but Greek has weathered diglossia (see here and here), plague and tumult before. One wonders what role that outbreaks have had on language and culture, assimilation and isolation in the past, and one can take solace in those new native equivalencies, like diadiktyo (ฮฮนฮฑฮดฮฏฮบฯฯ
ฮฟ) for internet that do take hold and endure.
cosmic bowl
Declaring that geometry preceded the origin of things and “was coeternal with the divine mind” and supplying God with the patterns for creation, our old friend Johannes Kepler was eager to insert and integration harmony and mathematics into the accepted world view and contrived a model that the famed astronomer believed would fully describe the Universe through a set of perfectly aligned shapes within one another.
To this end, in February of 1596 Kepler sought the patronage of Friedrich von Wรผrttemberg to not only forward his vision with continued studies and publications but also create an artifice and artefact as a demonstration—his model of the Cosmos set in silver with the planets cut of precious stones and dispense alcohol that corresponded to the celestial bodies on tap through unseen pipes—Mercury paired with brandy and Mars a vermouth &c. Wanting to compartmentalise the labour however of the craftsmen he commissioned and not failing to realise that the orbits of the planets were not spherical but rather ellipses, the pieces did not fit together as planned. Mortified by his mistake, Kepler redoubled his efforts and though not completely forsaking his quasi-mystical theories arrived on his revolutionary laws of planetary motion and moved away from the belief in the perfection of circular motion which the Copernican model espoused, culminating in three laws that still hold to this day.


