канонизация царской семьи

Formally glorified—elevated to sainthood as martyrs and righteous passion-bearers by the Russian Orthodox Church on 1 November 1981 and then in 2000 by the Russian Orthodox Church Outside Russia (ROCOR) the murdered last imperial family, the Romanovs (see previously), and the domestics that died along with them are commemorated on this day (Old Style, 4 July), the day after they were assassinated by Bolshevik operatives in 1918 at Ipatiev House in Yekaterinburg. Two members of their entourage were not canonised owing to the fact that their professed faith was respectively Roman Catholic and Lutheran, and the whole veneration was certainly not without controversy with opponents pointing out that the Romanovs were not killed for their faith and the flagging leadership of Nicholas II had caused suffering and enabled the revolution in the first place, counting some proponents who advocate the doctrine of tsarebozhiye (Царебожие, Tsar-as-God, deification) and that the last emperor was capable of spiritually redeeming the Russian people.

8x8

houstonia: a century of the Texas city told though iconic photographs—via Things Magazine

bovine flatulence: a strange fast food campaign touts its efforts to reduce greenhouse emissions and improve animal welfare

triple word score: a Star Wars round-up including Scrabble tiles in the script of Galactic Basic, Aurebesh (previously)

eggs over easy: an introduction to Britain’s influential pub rock scene of the 1970s and its lasting legacy

when she walks, she’s like a samba: a deconstruction of the complex Girl from Ipanema (see also July 2019), the second most covered song in history

le vetture tranviarie: engineer Arturo Tedeschi redesigns a tram car for social distancing (see previously)

eponymous first album: quarantined residents in of a senior assisted living centre recreate iconic record covers

unclaimed baggage: more on the small town Alabama store (previously) that resells the world’s lost luggage—via Duck Soup

be our guest, be our guest

Via Nag on the Lake, we are treated to an appropriately scathing reaction to Disney’s irresponsible decision to reopen its biggest theme park in the midst of a resurgent pandemic with this arrangement of its promotional piece that references visually and musically the 1994 ABC (the network I guess owned by Disney now as well) miniseries of Stephen King’s The Stand, starring Molly Ringwald and Gary Sinise and Rob Lowe. At work, there were always abundant crows but now they absolutely rule the roost with most staff teleworking and the sight for me always evokes a haunted image from the television saga.

aloha ʻoe

Though it’s just adding insult to injury after annexing then colonising Hawaiʻi to impose the feeble-mindedness of official state junk to be nominated and subject to legislation, we are quite enjoying this latest instalment on the topic (see previously) from Lowering the Bar. We can definitely relate to the felling of dread and trepidation about getting a diacritical wrong, especially with the ‘okina seems so critical to the islands’ name (or not) and is typographically substituted—the other being the macron the kahakō. Check out the usual categories like trees, mottoes, song, fruit, etc. plus the rather all-encompassing and koan-like part of the statues outlining the official state spirit and let us know what you think.

tempio dei dioscuri

On this day—the ides of July, fulling a tribute pledged for a decisive military victory for the young Republic in rebuffing the forces of the exiled king, Lucius Tarquinius Superbus, and his allied forces in the native Latin tribes during the Battle of Lake Regillius made by then dictator Aulus Postumius Albus Regillensis (his surname a consequence of the conquest), one of the consul’s sons was appointed magistrate (duumvirs) to dedicate the temple to Castor and Pollux, the twin half-brothers—Castor’s dad the mortal, Tyndareus, king of Sparta but Pollux was the son of Zeus who had seduced their mother Leda in the form of a swan (some accounts have him or both born from an egg and is a classic example of what’s called heteropaternal superfecundation, albeit in divine form like the Capitoline Wolf that reared Romulus and Remus) in central Rome in 484 BC.
Reportedly the brothers appeared on horseback in the midst of battle and fought ably for the Republic. They reappeared after the fighting was over to herald victory, watering their horses at a fountain in the forum called the Spring of Juturna (Lacus Juturnæ)—well before the news could be borne by mortal feet, and the temple was built on that spot. Only the distinctive three columns remain though the cult was spread through the empire and other sites are extant. The Dioscuri were transformed into the constellation Gemini so the twins would not be separated in death and were the siblings of twin sisters, Helen of Troy (possibly also ab ovo since the paternity of Helen was also the mighty Zeus) and Clytemnestra.

rock ‘n’ roller coaster

The other day I caught a new Line Rider animation (previously) set to the Queen classic that I had somehow managed to miss before, but this virtual thrill ride (use your indoor voice only please) that some clever person designed with Roller Coaster Tycoon makes for a pretty cool rendition as well and makes me wonder about the potential (with some reserved trepidation albeit) for more cross-over formats for bands and franchises. The image to the side is the musically synchronised loops and dips mapped out.

the inauguration of the pleasure dome

Via Weird Universe we are acquainted with the portfolio and curriculum vitæ thus far of underground filmmaker and author Kenneth Anger (*1923) whose anthology of short works explore Thelema and its adherents through his eponymous 1954 (remastered in 1966 for 1978 for wider audiences as Anger’s original concept included projecting the action on three screens simultaneously) through the cinematic filters of surrealism, the occult and homoeroticism.
Playing the goddess of magic Hecate himself, the short also stars Anaïs Nin as Astarte (Ishtar) and fellow director and pioneer of New Queer Cinema Curtis Harrington (*1926 – †2007, whose credits include numerous television series—Baretta, Wonder Woman, Charlie’s Angels and also Orson Welles’ unfinished The Other Side of the Wind) was in the role of Cesare, the somnambulist from The Cabinet of Doctor Caligari and was inspired by the ritual fancy-dress parties that founder Aleister Crowley would host that invited guests to come as their madness and a recitation of the Samuel Taylor Coleridge’s atmospheric poem. More to explore at the links above.

8-track flashback

Via the always excellent Everlasting Blört, we are treated to a survey of the history and technical development of high-fidelity audio equipment throughout the 1970s in this vintage Pitchfork article—not only for play-back and one’s listening pleasure and archiving but also for recording and creating compositions. Format rarities with underappreciated innovations include the synthesiser function of the Roland MC-8 Microcomposer (big in Japan), proto-iPods aside from the Walkman and the rise of commercial digital recording, with artists like Stevie Wonder pioneering the new media with his musical accompaniment through “The Secret Life of Plants.”