roughly the kinetic energy of a well-pitched baseball

In operation from 1986 to 1993, the Fly’s Eye ultra-high-energy cosmic ray observatory in the desert of western Utah detected on this day in 1991 a particle whose excited state was off-the-charts with nothing remotely close ever seen again (see also), though similar subsequent events suggest that it is not a malfunction. This anomaly was dubbed the “Oh-My-God particle” (not to be confused with the God Particle) due to the wallop it packed. Though this probably does not sound like an astronomical amount, to take it in context, the importance of this reading begins to take shape.
The signal represented the energy carried by a single photon—as if a beam of light could nudge something aside, concentrated on one particle and represents something magnitudes stronger than any radiation measured from the gamma bursts of distant exploding galaxies (by some twenty million fold) and twice again as much as the CERN is able to create. The cosmic ray, to have attained the title heft, was propelled along at near the speed of light (one-sextillioneth shy—that is, nine-nine percent followed by twenty-one significant digits, short scale). Were it possible to boost the particle through the infinitesimal fraction, it would have the kinetic equivalent to the potential (chemical energy) of a small automobile on a full-tank of gasoline. The Oh-My-God particle and others approaching this class originate from the direction of the asterism Ursa Major though there is no consensus on the source.

prismatic

Via the always engaging Everlasting Blört, we are treated to the AI-aided renderings of a digital artist called Matchue and his repertoire of experimental generative compositions with this lovely vignette of New York City expressed, stylised after the Cubist movement, evoking especially the Simultaneous Windows series of painter Robert Delaunay (*1885 – †1941).

gemeine stinkmorchel

Just honoured by the German Mycological Association (Deutsche Gesllschaft für Mykologie, DGfM) as mushroom of the upcoming year, we were a bit excited to share a few prime specimens in the middle stages of development of the common stinkhorn (Phallus impudicus—that is, immodest and at least a relative thereof), widely recognised by dent of its signature carrion-like odour that attracts insects to spread the spores and its distinctive shape. Not pictured is its first egg-like stage (the immature ones are prized for their culinary value and supposed aphrodisiac qualities), but later growth with the stalk forming and an olive-coloured fruiting body known as the gleba. It doesn’t take a lot of imagination to work out the sort of folktales sprouted up around these toadstools.

also in extended use

From the Guardian’s Language Desk, we are treated to a preview of all the superlative contenders vying, no holds barred of course for what the surplus of the year could still deliver, to be the term that carries 2019.
From prorogue to cancel-culture to the extremely well sourced phenomenon of sadfishing, the latest behavioural term to employ the suffix and referring to an appeal through trauma to build and uphold a following, which word would you champion or have brought into the running? Judging by the most queried dictionary definitions—including retrologisms like ruthful for having contrition and compassion over the more common absence of it—exonerate and furlough might also make the list.

low-res

Twisted Sifter directs our attention to the award-winning submission for the World Wildlife Fund’s Japan branch for its 2008 awareness campaign from the Tokyo-based agency Hakuhodo C&D and the creative talents of Nami Hoshino and Yoshiyuki Mikami. In the series, endangered species are depicted by the as a highly pixelated image in proportion to their declining wild populations, the granularity and therefore the dwindling, unsustainable numbers captioned in the bottom left corner. More friends to save from extinction portrayed at the link above.

pilzfund

H and I went foraging for mushrooms recently and though we’re not averaging a good return on edible specimens from the field, we are getting exposed to quite the menagerie of woodland types of fungi during our scavenging.

 

Among the diverse exemplars that we find along the trail just metres from one another we encountered the poisonous and hallucinogenic fly agaric toadstool (Fliegenpilz, Amanita muscaria) quite often, others yet unidentified and works of art in their mystery, and another quavering discovery called a wood ear or a jelly ear (Judasohr, Auricularia auricular-judæ, so called from the traditional narrative that Judas Iscariot hanged himself from an elder, the sambucus, Holunder tree and these mushrooms often appear at the base of such trees to remind the faithful of this act of betrayal).

For all of its rather Lynchian baggage, the wood ear is very much edible—if not a bit bland unseasoned, and is a staple for umami flavourant in Asian cuisine. Please click on the images for more detail.  The pharmacological merit of the fungus is currently being studied, research suggesting that its palliative use in folk medicine was not far off.

6x6

directors’ cut: prints of iconic filmmakers informed by elements of their movies plus a lot more poster art

radiohead has 18 webrings: the Avocado reads Yahoo! Internet Life’s February 2001 issue

republicans, democrats, in-betweeners looking for high crimes and misdemeanors: a Schoolhouse Rock style cartoon primer about impeachment  

mister green jeans: Lowering the Bar deconflates kangaroos and courtrooms—see previously

chiclets: during political exile after losing territory to the Republic of Texas brought General Antonio López de Santa Anna brought the world chewing gum, via Strange Company

a rhetorical question: Betteridge’s Law of Headline writing

startling stories and thrilling wonders: a gallery of pitch-perfect mashups of musical touchstones and pulp ephemera—via Nag on the Lake

ampelmännchen

Introduced in East Berlin on this day in 1961, the “little traffic light man” was the product of extensive research and experimentation on the part of safety planner and vehicular relations psychologist Karl Peglau (*1927 – †2009), whom had wanted to make stop lights differentiated not only by colour but also by shape to provide cues to the not insignificant portion of the population who were colour-blind—seeing his vision realised in one aspect at least.
Modelled off a candid image taken of the then Politbüro member who organised the building of the Berlin Wall, future long-term general secretary Erich Honecker, sporting a jaunty straw hat, the icons’ two poses, walking briskly and arms akimbo signalled to pedestrians when it was safe to cross. After reunification, East German street and traffic signage was dismantled in efforts to standardise typefaces and the Ampelmännchen nearly succumbed to the same fate but was saved (with many tributes—here and here for example) due to the intervention of a soap opera and the symbol was made a mascot of East Germany and Ostalgie.