timeliness, objectivity, narrative

We enjoyed learning about the career of America’s first credentialed female photojournalist, Jessie Tarbox Beals (*1870 – †1942) through her assiduous documentation of Bohemian Greenwich Village. I especially liked her neatly written captions of the characters and haunts she encountered. The school teacher and hobby photographer got her first professional assignment from the Boston Post to take pictures of the Massachusetts state prison, teaching her husband the basics of the craft and bringing him along as her darkroom assistant, and went on—aside from opening a studio and gallery in the New York neighbourhood—to shoot such events as the Saint Louis World’s Fair and its Louisiana Purchase Exposition, as well as photographing presidents Theodore Roosevelt, Calvin Coolidge, Herbert Hoover, William Howard Taft and celebrities Mark Twain, Emily Post as well as their furry companions.
While earning her bona fides as a night photographer as well, Beals’ breakthrough also reminds us how physically demanding and perilous taking pictures was (and is still a risky business), hauling upwards twenty kilograms of equipment and keeping letter-sized glass plates on hand for each exposure.  Much more to see at Messy Nessy Chic at the link above.

exploratorium

As a celebration and showcase of the port city’s rich history of trade, manufacturing and research, the coastal metropolis of northern China, Tiānjīn (天津 – the delta of the Yellow River and literally meaning the “Ford of Heaven”), commissioned the international architectural studio of Bernard Tschumi to create a huge exhibition and conference space.
The perforated copper façade covered with portholes evokes the smokestacks of industry and will be the focal point of an urban revitalisation project that establishes a cultural centre in the Binhai New Area—just adjacent to the old town—and will be ready to receive its collections and first visitors in the autumn of this year. Learn more and see additional interior and exterior shots at Dezeen at the link above.

my god, it's full of stars

The inestimable Kottke directs our attention to the half hour National Film Board of Canada 1960 documentary “Universe,” which portrays the Cosmos as it would be experienced by a voyager barrelling through time and space, and was a cinematic touchstone for filmmaker Stanley Kubrick, informing the look and tone of his adaptation of 2001: A Space Odyssey. If the voice of the narrator seems oddly familiar, that’s because it is late actor Douglas Rain, renowned for his role as the voice of HAL 9000.

e mare libertas

We’ve had a passing acquaintance with the Principality of Sealand, one of the constellation of micronations whose territory consists of a disused anti-aircraft platform off of the coast of Suffolk, for a few years and even knew of the coup d’état and the power struggles, but we sorely failed to appreciate the outsized intrigues (recommended by Digg) that this rather long-lived, tiny princely state has experienced—with the overthrow and leadership in exile being a far more dramatic and stranger story than we had supposed.
In addition to this singular offensive, the micronation’s uncertain legal status and sovereignty has been co-opted by a rash of pretenders, including an operation to issue ten of thousands of passports in the name of Sealand, unofficial, unsanctioned internet presences, shell companies and claims of diplomatic immunity by dint of above fabricated associations.
For this dynastic enterprise that began as a pirate radio station to escape the hegemony of the BBC, subsequently proclaiming independence and creating all the trappings of statehood, it’s disheartening that it is yet attended by this persistent and darker, parallel version of itself and we hope that going forward, in keeping with the spirit of staking one’s independence, that the Principality is allowed to tell its own story.

droste effect

Via the always engrossing Kottke, we are introduced to vivid and thoughtful portfolio of artist and photographer Annie Wang through her ongoing series “The Mother as a Creator,” documenting raising her son. Each successive image, layer of her and her growing son contains the snapshot of the past ones—coaxing out many levels all sharing the same surface. Find out more at the links above.

encom

We are enjoying these promotional stills, studio cards from the 1982 production of TRON of cast members posing for candid shots in their uniforms bereft of the benefit of post-production ethereal glow.
It’s worth noting that the film was nominated for an Academy Award for Best Costume Design but was famously disqualified for Oscar consideration in the category of visual effects because the film’s extensive reliance on computer-generated environments and simulations—a rather myopic assessment that the Academy made amends for fourteen years later. Much more to explore at Dangerous Minds at the link up top.

bahn-verspätungsschal

Via the always excellent Nag on the Lake with a bit of an update from Colossal, we learn about a loyal but frustrated rail commuter who, much like Andean quipu or the zealous knitter who got carried away with the Doctor’s scarf, documented delays experienced in coloured wool bands during her daily trip (two a day—round-trip, hin- und züruck) between Moosburg an der Isar and München, which should take approximately thirty minutes on regional trains—once infrastructure repairs and diverting to buses meant that long interruptions became the norm.
Her one hundred-twenty centimetre long handiwork (reminiscent of a DNA test result in the rawest form) garnered a lot of attention after her daughter, a prominent journalist and news editor, posted it on social media. The knitter decided the auction off the “train-delay-scarf” for the charity Bahnhofs Mission, an outreach and assistance programme for the homeless, transient and precarious based in train stations, raising several thousand euro. Claudia Weber, the creator, is working on a new shawl for 2019.

decimated

The Ten Year Challenge would be an otherwise harmless trend if the internet had not become such an awful, prying panopticon where all the fun and frivolity is siphoned out of things and we pressure each other to participate in a training module that teaches algorithms to account for and better predict age progression, criminal tendencies and uncorrected personality traits, so we enjoyed seeing it re-appropriated by environmental activists. Stark and depressing—though with at least a few signs of positive rehabilitation—side-by-side images that compare and contrast (previously) the myriad ways humans are destroying ecosystems are becoming a powerful call to action. Learn more and help stop the clock at the links above.