I suppose that the nature of public art and installations has changed significantly, given the volume lent to the voice of praise and criticism and that the failure or success of icons—landmarks, anchors, can be instantly and broadly adjudicated.

I suppose that the nature of public art and installations has changed significantly, given the volume lent to the voice of praise and criticism and that the failure or success of icons—landmarks, anchors, can be instantly and broadly adjudicated.
Setting a bad example is sometimes just a pedantic argument. Negative encouragement, I think, is probably not worse than market-contagion.
catagories: ⚖️, ๐ฎ๐ธ, revolution
Just because there is the gloomy, heavy drapery of bankers’ crises and the pummeling occasion of planters’ style democracy obscuring the next assault that’s waiting in the wings, we would be faithfully remiss to lose sight of what could come. Bread—or cake—is of course the honey-pot, the next investment opportunity aggressively peddled, of bread and circuses, and I believe it is not so kooky or implausible to imagine that the present chaos is apt disguise for a handful of companies that are merging farms and pharmaceuticals to make local governments fold and adopt measures that have become prevalent elsewhere.
catagories: ⚕, food and drink
There has been an awful back-draft lashing European politics and markets, sparked by the exercise of public prerogatives that seemingly did not follow the right plan.