h. res. 755

systemic isomorphic mimicry

Credit once again to Kottke for directing us to a reflective and objectively true set of observations about the self-inflicted wounds of Anglo-Saxon society and how that results in failed states in this excellent essay by Umair Haque (previously, ibidem).

Nothing I can add or augment I think could improve upon his diagnosis and prognosis of the self-destructive and uniquely self-perpetuating behaviours of which the United Kingdom has been the chief net-exporter and the pitiable impoverishment that follows. Those poles apart in a polarised milieu (from geopolitics down to the most granular levels) despise each other because their ideological foes-partners in sanctimoniousness-reflect back to them the worst traits in themselves that they’d rather go unacknowledged, but don’t over-emphasise how fraught tribalism is and the forces that would whip it into a frenzy, because that focus (that cannot be remedied through consensus or something called bi-partisanship or else anything aspirational) distracts from the fact that contempt transforms to hate once collectively society grows too marginalised to look after anything save its own self-preservation and fails to thrive. Though the United States and Britain may be oblivious of their trajectory towards oblivion, maybe their hubris and hegemony will present a cautionary tale for the rest of the world and the world is paying attention.

afterthought

On this day in 1966, three days after the discovery of a Cronian satellite (see previously) dubbed “Janus” by Audouin Dollfus, astronomer Richard Walker recorded a similar observation of what was then considered to be the same small moon, the scientific consensus at the time being that two objects could not share the same orbital pathway without colliding despite the fact that this interpretation meant that Janus was hurtling around Saturn much faster than is the case.

A dozen years later, more precise measurements resolved the observations to that of two distinct but co-orbital bodies, and because of this hindsight, the latter credited sighting was named Epimetheus—the twin of the Titan Prometheus associated with foresight. Whereas we might regard Prometheus as more heroic and selfless for daring to steal fire and the other civilising arts from the gods than his dumb brother, whom for unconscionable reasons was entrusted to hand out gifts from

 Pandora (all three also in that same constellation of satellites), as a consolation prize to make up for the fact that all other traits, strengths had been apportioned to other animals, it was sort of a thankless sacrifice (aside from it being a distinct lack of appreciating the consequences of his actions) Prometheus stood trial as was condemned to an eternity of suffering. Epimetheus, on the other hand, demonstrates that we are part of a larger, virtuous network and that dependency and social contracts are themselves strengths (in as much as is the leftover hope) and wound up marrying Pandora, whose daughter and son-in-law are the only humans to survive the flood when the gods decided ultimately to drown mankind. This inner satellite is also referred to as Saturn XI and its gravity and orbit help to define its hosts rings, shepherding rocky debris and dust in place.

reasonable accommodation

Despite our shared frailties and variation in body size, type and ability, we tend to take accessibility and comfort for granted and unfortunately on some level sometimes we don’t like to be confronted with the interventions that disabled individuals need to navigate spaces not designed for them.

When I was confined to a wheelchair and on crutches—temporarily, I hope it gave me some insight and empathy that’s endured about how hard and unforgiving certain of our built terrains can be. A bedroom created by Christopher Samuel as part of a project that has invited nineteen artist to redesign and embellish the suites of a bed-and-breakfast in Blackpool draws on personal experience and inverts the situation to make the dimensions and furnishings especially demanding, awkward and frustrating for non-handicapped guests, the theatrics of the room an invitation for people to imagine the experience of others. The individual pictured is not the artist but rather the programme director Michael Trainor, since for Samuel—who uses an electric wheelchair for mobility, his own installation is inaccessible and hasn’t seen the finished piece in person.  Much more to explore with BBC at the link above.   

palm house and parterre or bulletin of miscellaneous information

Underpinning nearly all life on Earth and comprising a majority of the planet’s biomass, the kingdoms of plants and fungi are constantly yielding up new discoveries that we must cherish and preserve as best we can, for their own sake and to mediate on the strange and novel adaptations and chemical magic that Nature has developed, some habitats lost before we could fully appreciate or even identify what sorts of treasures we’ve destroyed. Curators at the Royal Botanic Gardens at Kew have selected ten superlative finds out of the some one hundred and nine newly, officially recognised species all across the globe to highlight this wonderful and surprising realm, including a berry that has the effect on the human palette of turning sour tastes to sweet (Synsepalum Chimanimani) and a tenacious shrub confined to a single waterfall that produces its own adhesive to stick to rocks and prevent it from being swept away.

simpsons roasting on an open fire

On this day in 1989, the Fox network debuted The Simpsons, characters spun-off from a regular, animated interstitial from The Tracey Ullmann Show, with a Christmas special.
Intended as the eighth episode of the season, production delays had already pushed back release dates to the holidays and the producers decided to open with this show—which was a remarkably smart move in retrospect (The Waltons had a similar start with its pilot episode back in 1971) for the expository and establishing opportunities that come with such tropes.

✨

Via the always glamorous Everlasting Blört, we are treated to the third collection of Dublin-based designer Jen Nollaig’s third seasonal showing (and here we thought we just had to make due with wearing the tree skirt like Bernice on the sitcom Designing Women) of eyewear, jewelry, headdresses and entire costumes created out of repurposed Christmas decorations, positing that we should be as willing, excited and committed to trim ourselves as much as the tree and decking the halls. Much more to explore at the links above.