Saturday, 30 August 2014

stranger in paradise

I visited the city museum and was treated to a very interesting guided-tour of a special exhibit on the birds of paradise of New Guinea, their environs and the cult of reverence which native humans and colonialists formed around these spectacular birds—nearly as elaborate as the mating-rituals that the males perform to court females. Immature males incidentally do not develop their fancy and impossibly impractical plumage until they reach about five years of age and often hang out in the audience of females to learn the dance moves and how to be suave and sometimes get in on the action by proximity and having the drabber colours of the females. Many of the taxidermic exemplars came from the collection of Austrian orientalist and mountaineer Heinrich Harrer’s (whose autobiography Seven Years in Tibet was adapted for film) expeditions to New Guinea, a former German colony, which were undertaken as a mission of goodwill after the war to reintroduce Europe to these exotic lands.
The exhibit also featured a lot of footage from David Attenborough’s documentary on natural curiosities and the birds’ dances of passion—which includes a lot of housekeeping and pruning to make sure there’s no distraction on stage for the birds’ performance. The worshipful behaviour of humans towards the birds of paradise is also something pretty extravagant—the plumage decorating native headdresses and the fashion-plates of nineteenth-century Europe, sadly endangering the more flamboyant breeds along with encroachment of their habitat, usually restricted to specific climes. Aside from feathers in hats, another totem of the animal existed in pelt-form and was an avian vehicle of wealth and dowry. These skins were the entire bodies of the bird preserved, except for the feet—dispatched with as unaesthetic, and Western explorers and settlers believed for several centuries (until the Enlightenment) that the skies above New Guinea was home to purely celestial beings—writing embellished treatises on how the heavenly birds lived off of oxygen and dew and were even configured to fly in tandem to form a flying nest with their bodies. Before Charles Darwin described his finches of the Galรกpagos, biologist Alfred Russel Wallace, studying these birds of paradise and noticing specialisation, conceived of natural selection—independently, inspiring Darwin to publish his works. I wonder if such conclusions—all things considered, would be intuitive or take a special genius to recognise.
The case of these birds especially with their extreme plumage and instinctual vanity is special take on survival of the fittest—as they are not the most agile or robust creatures of the forest and sport ornamental features that seem more of a liability (like huge antlers that are a heavy burden to carry and could get hooked on something) than a natural advantage, but such decorations and displays are what the lady birds like, maybe because the males have managed to survive despite these handicaps.

Thursday, 28 August 2014

it happened on the way to the forum: stratagem or cunctator

Rome won its first fight against Carthage, but just barely—in the aftermath, turning to more internal affairs and ignoring its rival for control of the Mediterranean. An uneasy peace was brokered with terms that left Carthage fuming—a dishonour to the competing power and especially to a certain Hannibal, son of Hamilcar Barca (Thunderbolt) who swore to his father to never be a friend to these interlopers and fuming after Hamilcar perished during a campaign and left his city in the hands of his acquiescing brother-in-law Hasdrubal. In time, as vengeance has no vice in patience, Hasdrubal was assassinated and Hannibal was invested as the leader of Carthage's armies. Carthage took its stand on the Iberian peninsula, in the main to protect its untapped reservoirs of silver—which afterwards, Rome exploited, too. Though there is a lot of ground to cover in between with several important detours, it seems rather ironic that latter-day nations who saw their own treasure plundered became the champions and true-believers of an expansionist-policy and persecuted with prejudice their gold-fever in the New World. Realising early on how to bait the Romans, Hannibal advanced from Spain into Roman territory-proper, traveling through Gaul and taking a direct-route—with a compliment of seventy-six elephants—over the Swiss Alps and an even harder slog over the marshlands, they drew the battle to them and summarily defeated the legions, time after time. Horrified by their series of defeats and near-misses, the constituent of Rome elected a dictator to handle it all, whom was capable of seeing soberly all of Rome's weaknesses and vanities.
Quintus Fabius Maximus Verrocusus was appointed dictator to manage the advance. Seeing, however, Hannibal's tactics and luring Romans into irresistible fights, the dictator adopted a policy of avoiding direct confrontation. Though not lauded by his own government, Fabius was appreciated by Hannibal for understanding his strategy and left armies standing, disengaged, in order to not be tempted into more losses. Hannibal appreciated Fabius' strategies, unpopular in Rome by any measure, and to undermine this general, dictated that his regular countryside raids should spare specifically those estates of the wealthy patrician Fabian family. After a ruse that saw the Carthaginian army through a trap (the Romans had their forces cornered in a valley-pass but Hannibal orchestrated a clever distraction of cattle bearing torches that lured away the forces guarding the exit). For this failure and in general operating against the grain of Roman values (plus, meanwhile, some of Rome's trusted allies defected, hoping to back the right horse), Fabius—this vested dictator—was called into question by introducing a more adventurous foil, who essentially rendered ineffectual the call and duty of the post of appointed-dictator ever afterward, checked by the power and confidence of another co-ruler. To the victor goes the future but not necessarily the history. Fabius was given the cognomen cunctator—the delayer, but his practise of non-engagement later became known as the Fabian Strategy, a battle of attrition and more importantly, being non-reactive. Rome and its legacy entire dodged another defeat, but this time through restraint and countering strategy. The period without major losses or demoralising defeats allowed Rome to re-group, and Sicily, where Hannibal's father met his demise—abandoned by the Carthaginian nobility who waged their wars with mercenary forces rather than a draft of its citizenry according to their means, eventually went into Roman receivership. The lone hold-out was the Greek city of Syracuse, defended in part by the genius of resident mad scientist Archimedes, who contrived all manner of war-machines, catapults and even a death-ray to fend off invaders. Possibly emboldened by victory on one front, not quite concomitant with the grave failure, Roman forces were resolved to confront Hannibal's armies at Cannae, a large supply depot and commissariat on the heel of the boot of Italy, on the Apulian plains. Command alternating daily between two generals (so one family would take the blame for eternity, it seems) for bureaucratic reason, a behemoth Roman army was routed. Despite losing in two decisive battles, Rome won the war, with Hannibal's discretion not to attack the capitol and to not expend all his battlefield capital in one fell stroke.

Wednesday, 27 August 2014

who's who oder them

Not only does Austria get to host the EuroVision Song Contest next summer, the Interalpen Hotel, the venue of the secretive summit already in 1988, near the western Tyrolean village of Telfs will again accommodate the Bilderberg Conference.

Shielded from media coverage and the raw feelings of constituents, this steering-committee—according to many—are the deciding transatlantic oligarchy of bankers, politicians and military commanders that dream-up the agenda as it will be presented for the coming year—with matters and outcomes already settled. Future debate and pitches are only done for show, it is argued. Whether or not this is the case—and I am not sure if its more shameful for the bad marks of poor performance or for the conspiratorial airs—there have always been such gatherings and influence is never non grata. What is more bothersome, in my opinion—unless of course democracy and dialogue is really only shadow-boxing—is that the culture coming together is strictly uniform and meant to promote Anglo-Saxon values (among its applicants and supplicants) on tour on the Continent.

whose sore task does not divide the sunday from the week

Granting an interview with the Dรผsseldorf-based Rheinische Post, German Labour Minister elaborated on her goal to put boundaries and balance—work/life—into a legal framework, as a so-called anti-stress law. Citing numerous sources and many self-reported incidents, there has been a nearly exponential jump in sick-days due to mental exhaustion that parallels advances in technology that make many available at all times.  
German productivity and work ethic is high because of the downtime and division traditionally afforded to them—and most healthily regard work as a necessary-evil, regardless of the passion that they might have for what they do and those they help. In any case, pressure from a demanding supervisor is unlikely to visit those truly happy and driven about their professions. I know of very few trying bosses and have rarely heard of employees being arrayed with questions while on holiday, but I do suppose a few traumatic cases justify that some line be drawn. Even if there is not a surplus of terrorised workers, mental health is grounded in perception and anticipation and just the worry—real or imagined—of being disturbed can have the same effect as the unwelcome task borne on the รฆther. What do you think? Can you relate to this sort of pressure and torment—or does it seem something alien and a punishment that’s self-inflicted by ambition and the blurred borders we make ourselves? I’ve not had much in the way of true homework for a long time, but we are all perfectly willing to continue staring at the same rectangles in our free time and answer to any shouts and dings at any hour.

Tuesday, 26 August 2014

pentimenti or regrets-only

A canvas is often a creative palimpsest and artists, both the aspiring and the renowned, had changes of heart for the mood and message of their work. A correction and substitution that can still be discerned, either as ghostly after-images, something liminal to the naked-eye or revealed accidentally through restoration efforts or purposefully through study—dissection, scanning and x-raying goes by the term pentimento—Italian for something the artist repents over. Mental Floss features a nice gallery of paintings that embody this phenomena with stories behind the changes, minor and major.

Monday, 25 August 2014

it happened on the way to the forum: gonzo & camille

Before entering into battle—or committing to any course of action for that matter, the Romans had many rituals that required strict observance. As military maneuvers especially were by and of the polity any breech of custom and reverence was an affront against one's neighbours and directly threatened public security and not just one's survival on the battle-field or the success or failure of any given mission. There are several war stories related about armies on the the march having to make a u-turn or at least pause over the auspices not being properly consulted. The actual ritual is shrouded in mystery, although the Romans were against exclusive cults in the main—including those up-start Christians, as they represented a threat to the State and public order, but seemed to be arm-wrestling the gods to secure a blessing. There are quite a few occasions when otherwise competent, successful and loyalty-inspiring generals were turned public-enemy for transgressing the divination-process, being distracted and tempted by targets of opportunity before the auspices were read and marching could resume.
Another grave transgression took place during the first engagement with Carthage, known as the Punic War (Punic being the Roman exonym for the Phoenicians who founded the north African naval and commercial power). Fearless about taking risky ventures outside of their element, Rome resolved to learn the art of seafaring to counter Carthage's strength and dominance. Such abandon was almost unheard of, but Rome, relying on perhaps the apocryphal tale of Athens countering Sparta in the same manner, was willing to take that risk. Although the first iteration of the wars general proclaim Rome the victor—only affording the chance to address attacks and revolts on other fronts, and more pain was to come, Rome became a tested and certified naval power. This prosperity came about by chance and mostly due to a spectacular failure in their first showing. In order to save time when it came to consulting the oracles, the sacred chickens were carried on board as the flagships made their way across the Mediterranean. The sacred chickens were to be consulted before advancing into enemy-waters (though Carthage had helped Rome over-throw the Greeks just a few years before but now constituted a threat to their trade-routes) and the ritual began—it is imaging this scene that makes me think of Gonzo and his harem of hens. If the chickens ate the feed they were tossed, then it was a sure sign of the gods' support for battle, however if they did not (and I find it rather hard to believe that chickens would not peck at something even if not hungry) then it was a sign to refrain. Having no time for such superstitions, the admiral proceeded to dump the coop overboard, proclaiming that if the sacred chickens were not hungry, maybe they were thirsty instead. That first encounter did not end well for the Romans, but Carthage dismissed Rome's prowess in subsequent engagements and grew over-confident in their own abilities, to their distinct disadvantage.

Saturday, 23 August 2014

dig dug

Spotted on the ever-excellent BLDGBlog, here is beautifully crafted nineteenth century German boardgame from the collections of the British Museum called Der Bergbau. This precursor to Minecraft (which also does not have rules, per se) looks like a version of 'Chutes and Ladders' but there are unfortunately no instructions on how to play.