Here’s a clever and cute depiction of the nine worlds of Norse mythology, linked together by the cosmic tree of life, Yggdrasill. The legend of the map is accepted by most, the populations of each planet, like Manheimr home world to the humans or Jรถtunheimr for the Giants and with the same cast of characters, like the Squirrel, Ratatoskr, a mercurial figure that spreads gossips and carries insult from world to world, the different creatures assaulting the tree and the Eagle perched high above and stirring the winds on Earth with its wings. There is quite a bit of disagreement, apparently, on how these realms are arranged and relate to one another. Wednesday, 22 August 2012
frost giants or manheimr steamroller
Here’s a clever and cute depiction of the nine worlds of Norse mythology, linked together by the cosmic tree of life, Yggdrasill. The legend of the map is accepted by most, the populations of each planet, like Manheimr home world to the humans or Jรถtunheimr for the Giants and with the same cast of characters, like the Squirrel, Ratatoskr, a mercurial figure that spreads gossips and carries insult from world to world, the different creatures assaulting the tree and the Eagle perched high above and stirring the winds on Earth with its wings. There is quite a bit of disagreement, apparently, on how these realms are arranged and relate to one another.
catagories: ๐ฉ๐ช, ๐ณ๐ด, ๐, ๐ง , myth and monsters
voracious or conqueror worm
catagories: ๐ฑ, environment
Tuesday, 21 August 2012
frรผhstรผcken oder morgen post
I really liked this tableau by Danish artist Laurits Andersen Ring, recently featured on the English Wikipedia home-page as a featured image.
Productive from the fin d’siรจcle until the 1930s, Ring’s style and subject matter helped define the Socio-Realism movement, which embraces such iconographic works as Grant Wood’s American Gothic, the anonymous and evocative profiles of the Great Depression in America (like the photograph of Migrant Mother [DE]) and the cavalcades of propaganda art from different confessions and persuasions yet all with common ways of portraying, lensing society. Focusing on the craftsmanship of the furnishings and small details really complete the scene, which is also pregnant with symbolism that slowly emerges. The allegorical is a subtle thing and can tell stories that are inexhaustible, noting the way the way shadows dapple, the copy of the page, the halo of greenery at the woman’s head, the intention of the palette and so on. Taking a moment to appreciate the unfolding reminds one that links do not allegory make.
Monday, 20 August 2012
energie wende
Tilting at these gigantic windmills that form well-landscaped corridors that line the Autobahnen or at the expansive arrays of solar panels that are spreading across hill and field, I find the scale of substitution, replacing the smoke-stacks and cooling towers with alternative and passive means, quite impressive works of engineering—chasing and harnessing forces of nature that wouldn’t otherwise go unused and unappreciated but still without robbing its intended, but seeing this infrastructure grow still does excite some seeds of doubt and skepticism. Sunday, 19 August 2012
abstract-concrete
Idiosyncratic and family pet-names names for things and concepts or a how about list of the weird jingo and abbreviations of concepts hard to visualize thrown around freely at the office, those words that would be completely foreign sounding and unassailable to a non-native speaker?
Saturday, 18 August 2012
verkehrsverhรคltnis
WWII week: nacht und nebel
Why this was allowed to continue and to what extent the civilian population of Germany and the rest of the world were morally complicit is a question, I think, no one is equipped to fully articulate. What will people believe—not only that it is a dutiful thing to deprive another of his rights on such baseless grounds—the everyday struggle we have with our own petty judgments and prejudices are most certainly successors to all the strife and hate of history but the best any of us can do is strive to be better and positively influence others—but also the sanitized reports that enforced the euphemisms?
I wonder what it is that people want to believe or what is easier to reconcile quickly slips into truth and fact. Today, some former concentration camps are hallowed grounds, memorials to unthinkable loss and cruelty that are unflinching testimony. Like the words on the gate of Dachau, Arbeit Macht Frei, the inscription on the gate of Buchenwald is a double-entrende: Jedem Das Seine could mean “to each his own.”
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