Saturday, 7 November 2020
your daily demon: bifrons
catagories: ๐, myth and monsters, religion
Friday, 6 November 2020
8x8
photos veritables: antique pre-prepared vacation picture albums
necessitous men are not free men: FDR’s 1944 second, more equitable Bill of Rights
conformal cyclic cosmology: Nobel winning astrophysicist Roger Penrose shares his Universe origin hypothesis la sape: Tariq Zaida documents the fashion of the sapeurs and sapeuses of Brazzaville and Kinshasa—reminding me of this other subculture
author, poet, composer: the amazing virtuosity of Gordon Parks
das neue europa mit dem dauernden frieden: revisiting an early proposal for the European Union, divided into Kantons converging on Vienna (previously)
dss43: Deep Space Communication Complex re-establishes link with Voyager 2
scarfolk & environs: a road & leisure map for uninvited tourist
helmaspergerische notariatsinstrument
Decided in the plaintiff’s favour on this day in 1455 in the refectory (the dining room or fratery, a frat house and documented by the above notary public’s seal) of the Barefooted Friars of Mainz, financier and angel-investor Johann Fust (*1400 – †1466) won his legal suit filed against Johannes Gutenberg allowing him to seize the first printing of the Forty-Two Line Bible as compensation for the credit extended Gutenberg that the inventor had yet to repay, despite protestation and promises to remit the loan with interest.
After this unamicable split (the underlying motivation is unclear with some characterising Fust as a genuine patron and others as an opportunist out to steal Gutenberg’s insight all along) with assistant and technician Petrus Schรถffer joining Fust to move merchandise and organise the next undertaking, the latter went to Paris to sell his books as manuscripts to members of the royal court—whom were pleased to acquire such handsome, high-quality volumes. Possibly conflating Fust with the near contemporary itinerant alchemist and astrologer Johann Georg Faust (subject and inspiration of Christopher Marlowe’s and Goethe’s tragedies), we get the source of the story that the printers were thought to be in league with the devil and that only witchcraft could have produced so many editions so quickly and uniformly and to escape punishment, Fust had to admit that they were printed and disclose the technology. While the advance may have been disruptive for the Paris book market, the Church welcomed such innovations for spreading the gospel, though literacy and the medium could be harnessed by all and sundry
catagories: ๐ฉ๐ช, ๐, ๐ก, ๐, Rheinland-Pfalz
Thursday, 5 November 2020
rebel rabbit
Though we suspected the well-circulated GIF to be an authentic one if not a bit too on the nose for comfort, we had forgotten the context and provenance of the gag of Bugs Bunny sawing off the State of Florida and so appreciated the review of the motivation to carve out a higher bounty on his hide and proclaim himself a domestic terrorist.
Though these critical antics which included in the same cartoon physically accosting senators, returning the island of Manhattan to the Native Americans, making the Panama Canal free for all trade traffic as well as unmooring the peninsula, shouting “South America, take it away!,” might have only been well-received for the brief window in which the short appeared (1949) when the United States was not at war with someone between World War II and Korea. Perhaps rectifying some of what had gone so astray with the nation wouldn’t be appreciated until just under a half-century later the decision to suspend the Florida recount and punt democracy to a supreme court packed with justices appointed by a political dynasty. More at MEL magazine—including the cartoon in its entirety—at the link above. Rascally rabbit indeed!
sรฉance on a wet afternoon
Via our faithful chronicler, Doctor Caligari’s Cabinet, we are reminded that on this day—shared with many other anniversaries of the good and the great—that the 1964 British drama from film-maker Bryan Forbes starring co-producer Baron Richard Attenborough (*1923 – †2014) and Kim Stanley (*1925 – †2001), who plays a medium haunted and obligated by the memory of the couple’s departed son and concocts a plan to establish her reputation as a psychic, involving the kidnapping and ransom of the daughter of a wealthy family and lead authorities to the child through revealed through her second-sight. Stanley’s character cows her husband (Attenborough, originally the screenplay called for a same-sex couple played by Tom Courtenay and Alec Guinness but the latter turned down the role, prompting a major rewrite) into committing the crime, which goes awry.


