pogrom und pulverkessel

Twenty-five years ago this week and just separated by double the amount from World War II in 1992—a couple of years into the reunification, the Lichtenhagen district of Rostock experienced horrendous xenophobic riots. Despite thousands of by-standers applauding the attack of a hi-rise complex sheltering asylum-seekers with Molotov-cocktails and stones, no one was killed but the onslaught that lasted several days and tragically inspired parallel attacks was nonetheless a very dark moment in recent German history and seemingly one whose lessons were squandered.  Ignoring early rumblings that indicated the tensions in the city between residents and refugees were growing, government and law-enforcement authorities carry much of the blame for their inaction.  The focus of the pogrom, the first act of its kind since the war, was the so called Sonnenblumenhaus, which the state government had designated for the sheltering of some three hundred asylum-seekers per month while their applications were vetted.  As the world came to terms, however, with the new realities of a collapsed Soviet Union, the system soon became overwhelmed with over eleven-thousand individuals, mostly Roma from Romania, living in the building and camped out on the surrounding grounds.  Instead of increasing support, services were cut and living conditions soon became intolerable.  Police were inattentive to maintaining the peace and provocateurs grew emboldened, going so far to recruit outsiders that also haboured such feelings of hatred.  Unfortunately these episodes have become frequent occurrences and the culpability falls on all of us. 

5x5

universal translator: what is this dog’s urgent message?

cirque du toile: a fun appreciation of the printed fabric through history up to the present

equestria: a neural network is trained to name new Ponies—previously here 

regret avoidance: lottery mania illustrates how people make economically disadvantageous choices

jōkotō: cutlery company designs delux scissors styled as the iconic katana blades of samurai

eclipse de sol

The ever interesting Kottke shares the discovery of a striking postage stamp commemorating the 1970 solar eclipse that covered much of North and Central America—and was the first broadcast in living colour—designed by the graphic artist Lance Wyman, whose iconic reputation was established two years prior with his logographs for the Mexico City Olympic Games and the symbols for that capital’s (plus Washington, DC’s) metro systems.

solar cell

Via Gizmodo, we learn of a potentially truly crowning achievement in the discipline of synthetic biology in the form of an experimental culturing of a strain of bacteria that are more efficient than plants at harvesting the energy of the sun and sequestering carbon-dioxide. They’re considered cyborgs as the molecule the bacteria uses as a photo-receptor is radically different from chlorophyll, and the addition of a few chemicals give the bacteria little crystalline solar panel shields—a natural but overlooked defensive-mechanism to heavy metals in their environment. The by-product of the bacterial respiration is acetic acid, which can be used as a food source for other bacteria or to create bio-fuels and bio-plastics. This process does not need to take place in the laboratory but merely in a vat in the sun and is scalable without the need for manufactured electronic components.

litfaßsäule or post no bills

Recently, H and I learned that those purpose-built advertising columns like this one in my neighbourhood in Wiesbaden, known as Morris columns in English-speaking venues after the French printer Gabriel Morris who brought them to Paris, are called Litfaßsäule after the Berlin printer and publisher Ernst Litfass who first originated them. Repulsed by disordered pamphleting of walls, storefronts, fences and trees with random advertising and notices, Litfass received permission to erect Annoncier-Säulen in public places the city in 1855 and earned his title König der Reklame (King of Advertisements) by renting advertising space. During the Franco-Prussian war of 1870, the columns also became lighting-rods and showcases for propaganda.  Litfass maintained his monopoly until his death, oddly enough, in Wiesbaden in 1874 and afterwards many municipalities undertook building their own pilasters.

next exit

Marking a year since the photographer’s passing, the US Library of Congress has curated a digital catalogue of over eleven thousand images captured over three decades and a hundred thousand miles of the highways and byways of America of John Margolies.
Margolies’ odyssey sought to collect the vanishing vernacular architecture that embellished roadsides that made potential customers take a second look and made the passing landscape a little less monotonous. Many of these structures are only conserved in Margolies’ archives, which he selflessly placed in the public domain so others would be free to enjoy in the nostalgia and embark on road-trips into a lost past. See much more at the links up top.