Though exploration of the Cronian satellite cannot begin before 2034 (distant-seeming but only fifteen years hence), NASA has committed, choosing among twelve contending proposals, to send a fleet of aerial drones to survey Titan, more planet than moon-like with a dense atmosphere, complex terrain, weather and methane driven precipitation similar to the water cycle on Earth, only sustainable at much lower temperatures, to seek out alien life.
During the early hours of this morning fifty years ago, members of the LGBT community in Greenwich Village staged a spontaneous uprising to protest a police raid of the Stonewall Inn.
This stand along Christopher Street, between West 4th Street and Waverly Place, marked the beginning of a long and ongoing struggle for gay rights and equal treatment under the law in the US. Pride parades world wide have occurred around this anniversary. Though the relationship is not causal and to suggest otherwise would dampen rising tensions and dangers faced daily by lesbian and gay people, the night before was the funeral for the iconic Judy Garland who had passed away earlier in the week in London from “an incautious self-overdosage”—held at a chapel on Madison Avenue which remained open through the night so twenty-thousand members of the public could pay their respects. Though no one recalled it being acknowledged during the riots, that sort of turn-out surely helped mobilise at least a few mourners and fans.
Nag on the Lake directs our attention to an exhibit that features a moving collection of Mexican religious icons known as retablos (previously)—from the Latin retro-tabula for “behind the altar” or votive offerings of gratitude meant for display and inspection by the congregation, that document in painting and some captioning turning-points in the lives of those who’ve been on the recipients of divine intercession, which was for many in this show miraculously safe passage crossing the border into the US. Peruse a whole gallery and find much more to explore at the links above.
Much like Emperor Claudius believed he vastly improved Latin orthography with his contribution of three new letters (namely โฒ for the w-sound, โ for the ps and bs plosives and a โฑต, a half of an haitch that is of disputed meaning), seventh century Chinese Empress Wu Zetian imposed somewhere between a dozen and thirty new characters as a demonstration of her power and influence.
In both cases, use of the new characters was mandated but quickly were abandoned and reverted to their old style of writing (see also) after their reigns ended, though unlike with the Romans, a few of the so called Zeitan characters have been incorporated into modern usage. For example, the Empress wanted the term xฤซng, star to be rendered as 〇 instead of ๆ, with the former ideogram now representing the number zero, and Wu thought the perfectly cromulent way of expessing a person (rรฉn, ไบบ) should be articulated ๐คฏ, that is the ideogram for life capped with numeral one to convey the aphorism that everyone only lives once, adopted for contemporary parlance
Absent any comprehensive and systematic stenographical short-cuts except for what could be improvised and some legal jargon that were purposefully opaque to stave off the non-credentialed, the catalogue of glyphs, growing to some five thousand symbols, created by Marcus Tullius Tiro (*94 – †4BC) was a highly useful innovation.
An enslaved clerk who was later freed to continue working as the Roman orator and statesman Cicero’s, his former master, personal secretary, Tiro was able—through his notes—to facilitate the dictation and capture the thoughts of the philosopher and statesman, and the method was quickly disseminated. Taught in medieval monasteries, the extended character set grew to some thirteen thousand shorthand symbols that made for an abbreviated syllabary, which could be further modified and combined to compress whole sentences and still retain the words verbatim. Falling out of favour with the proliferation of the printing press, a few Tironian notes are still in use today—notably the ⁊ (the glyph for et, and) is used extensively on signage in Scotland and Ireland where the sign is called the agusan and agus respectively.
