chamomile tea party

Under the guise of his subversive collective, we learn via Hyperallergic, the creative graphic designer Jeff Gates has channelled his talents to make a statement on the sorry state of civil discourse in the United States of America (their chief export it seems) by remixing antique propaganda posters to reflect the current atmosphere, a decline that was fermenting for years and whose vintage predates but possibly prefigures the slovenly scourge of Trump and his best people. Also curated under Google’s Arts & Culture portal, Gates has been prolific in his activism and there’s an entire gallery of images, newer renditions juxtaposed with the origins, to reflect on.

me, poor man, my library!

Discovered via Coudal Partners’ Fresh Signals, we appreciated the introduction to the vibrant art work of graphic designer Manuja Waldia, whose illustrations have been featured in several prominent publications, in the form of her commission with Penguin Random House paperbacks to design the covers for a new edition of the Pelican Shakespeare series, regularly re-issued with new research and scholastic updates since 1956. Be sure to visit the website at the link above to see more cover art and her other works that can weave a story all on their own merit.

tierkreis

In 1975, electronic and experimental music pioneer Karlheinz Stockhausen (*1928 - †2007) composed twelve melodic character pieces representing the twelve signs of the zodiac, structured in a mathematically interesting manner and originally arranged for music boxes, though it can be played on any suitable instrument or even sung. Contracting with a Swiss manufacturer (which is one of the last firms specialising in making music boxes), Stockhausen made the custom music boxes commercially available and continued to be sold through the 1980s with later commemorative editions. Learn more and listen to other performances at the link above. Here’s a rendition of my sign, Skorpion, by clarinettist Liam Hockley below:

tc-800b

On this day in 1973 during senatorial investigation the White House deputy chief of staff revealed the existence of a secret taping and tapping system installed in the Oval Office and Camp David and on chief telephone lines. Richard Nixon’s predecessor, Lyndon Johnson, had installed a similar system in the White House during his administration to preserve historical moments, which Nixon had initially removed.
Two years into his presidency, however, Nixon conceded that there was no alternative other than an audio record to preserve conversations and decisions and had the elaborate, voice-activated system installed covertly, known only to a select few aides and the secret service. After the revelation, citing executive privilege Nixon refused to turn over the tapes to the senate committee, knowing that they contained incriminating proof that the president conspired to obstruct justice by directing that the Federal Bureau of Investigation halt their investigation into the Watergate break-in. Nixon’s compromise offer was to release summaries to the office of the special prosecutor, which was rejected and precipitated the so-called “Saturday Night Massacre” when Nixon tried to dismiss the prosecution and intermediaries resigned rather than do so. The audio recording system was removed a few days after its existence became public knowledge on 18 July but a legacy of over thirty-five hundred hours of record, most of which has not been reviewed or transcribed, remain.