Chief diplomat to the European Union’s delegation to Turkey, Hansjรถrg Haber, has abruptly resigned, reportedly (angeblich), over Ankara’s conduct regarding a deal to create an immigration buffer-zone in exchange for visa-free access to the EU bloc of nations for Turkey and refusal to live up to its end of the bargain.
This rather cantankerous behaviour is to be expected from a nation that realises it has the EU over a barrel with the refugee situation, even if Europe does not itself fully appreciate the situation. This further fracture comes at a time when tensions are already running high over a lack of candor about the present and the past that has seen German journalists being denied entry and German officials of Turkish ancestry being given police protection, worried that there could be retaliation for their votes to label the massacre perpetrated by the Ottomans as genocide—and campaigners in the UK are vocal with a political hot-potato that EU ascension for Turkey is either imminent or otherwise will not happen within our natural lifetimes but that Turkey should nonetheless strung along with a glimmer of hope to maintain good terms. I’ve wanted to say to the Leave camp, “You know, Brussels can hear you? They hear all those awful things you are saying about them.” Perhaps the Remains need to have the same thing pointed out to them about Turkey.
Tuesday, 14 June 2016
brussels calling
birthday suit or trooping the colours
catagories: ๐บ๐ธ, ๐ณ️๐
and now for something completely different
For many years, Atlas Obscura has been our expert tour guide for many weird and wonderful places and always a good resource to consult when vacation planning to discover what oddities might be hidden near one’s desitnation.
We continue to find the web-site’s edifying, educational trips to be quite serendipitous as well—like the recent sourcing of the iconic mashing foot, animated by Terry Gilliam, that segued from the opening-credits of Monty Python’s Flying Circus, to a detail in the mannerist masterpiece of Agnolo “Il Bronzino” di Cosimo called Venus, Cupid, Folly and Time—wherein Cupid seems about to carelessly crush a hapless dove with his hammer-toed foot. One can view the entire allegory that inspired the surrealist troupe in the National Gallery in London.


