hieroglyph or non verbis, sed rebus

There is a long and well-established history of substituting symbols for words and alphabets are classed as such by linguists. In the fourteenth century, the rebus sentence was introduced first by French word-smiths as a playful and endearing way of sustaining a dialogue, adopted by many following epistolaters.  The related article above from Kottke has many keen images documenting the evolution of the form. How do you think symbols are altering communication? Compare this antique example of dialogue to an exchange using smileys, short-hand and the like.

ne pas être un vide-poche à l'origine

Via the intrepid and inquiring Nag on the Lake, a single one of Intel's latest batch of innovations introduced at the Consumer Electronics Show in Las Vegas has captivated the public above others. This so called smart-bowl is basically a vide-poche, a place to deposit the contents of one's pockets at the end of the day, which generates an electric field to transfer energy from the bowl to a cellular phone or some other battery-operated gadget within via induction and without wires. Though inductive charging is not the most efficient method and only works at a very close range, the idea is pretty clever and maybe will led to improvements in the technology, particularly for something like electric cars that could charge passively without plugs and cables.

currents and gyres

Despite the headlines, Germany, like America has far from a monolithic climate, but nonetheless the weather reports on opposite sides of the Atlantic could not be further apart. While in Germany, we have been spoilt by a series of glorious, balmy days that seems more like an extremely early Spring than a lingering Autumn, in contrast parts of the US have been dealing with unprecedented lows. Birds are confused and flowers are blooming.

The Germans, I think, do not speak much of it, partially to avoid the appearance of Schadenfreude, partially as the weather—especially the traditional and accustomed conditions, is an essential topic of conversation and no one really knows what to do with this spate of bright days at this time of year, and partially out of a jinxing superstition that this too will pass and Winter will arrive with prejudice. Meteorologically speaking, I've heard no discussion whether these opposing phenomena are related—save for a chat between the weather man and the anchor, where the host asked if these two events have anything to do with one another. Yes, indeed, the weather man replied, not with exactly qualifications or explanations, going on to say that the cold front in America was fuelling conditions over Europe. Of course, weather one place always has influence further afield but I didn't exactly follow, and wonder—for something as big as the weather, not just some little black rain cloud, if such an exchange really means that the warming of the oceans or changes in the salinity by degrees is occurring, resulting in the recalibration of the motor of the Gulf Stream and North Atlantic Drift, whose circulation is a key component to the climate we recognise.

mercator projection

Biologist and television host, Joe Hanson, also hosts a truly splendid blog, featuring discussions—which for instance discuss the practice of flattening out the globe (more ovoid than a sphere) in two dimensions and depending on ones centre of focus makes Greenland seemingly as big as the continent of Africa with a study in phrenology. This vignette also explores other representations that try to depict a more accurate picture. I just wonder what sort of inculcations that these examples instilled in the classroom—either an ever-present awareness of the exaggeration or a smug pride.

simulacra

A skeuomorph (from the Greek for vessel or tool and shape) is a derivative embellishment that cues an operator to a function by invoking some older physical, mechanical element. The icons of graphic interfaces are vast arrays of skeuomorphs—like the symbol of a paper envelope for e-mail, a pad-lock, a waste-bin. None of these representations exist within the computer—like the orientation of PLAY pointing to the right and REWIND to the left, there being no direction but rather an allusion to mechanism of older video and cassette players, but skeoumorphism is not limited to the quiver of familiar icons.
There's quite a range of abstractions that fall into this category—I think, to include gestures and gesticulations like widely recognized pantomime for call me or for what time is it, though the instruments likely to be used are quite other in form, not to mention things like vestigial cross-beams or pockets or Ersatz books in the office or buttons and the rendering of busyness over the hull of a star-ship that's more decorative than functional—like the Borg Cube or the trench of the Death Star (greebling is the word). There's also the subtler touches, like having a digital camera click its shutter for a satisfying and familiar sound. There has even been proposed legislation that a such devices retain this feature so people know if they are being photographed at close range—and I suppose, so the photographer is making a more conscience decision to take a picture too. Slight and flimsy gadgets are also routinely weighted down with some added metal purely to give the object a feeling of heft and thus better quality.