rabbit redux

Reminiscent of those murderous bunnies found in the marginalia of medieval manuscripts and ever successive cottontale congress thereafter, Beatrix Potter’s Peter Rabbit, Lewis Carrol’s White Rabbit and the Killer Bunny guarding the Grail, artist YiMiao Shih plumbs UK politics with a tapestry in the tradition of Bayeux reimagining pivotal moments as Rabbrexit.

de scrutarius

Having just had an exchange with my landlady over an email missive reputedly from myself having landed ceremoniously in her spam box (albeit it’s a bit tangential to the topic but I’m noticing that the circle of people that I care about are getting a lot of junk, phishy correspondence from each other disguised as earnest and heartfelt messages from one another—a dialogue that would make the occasional dip into that holding area worthwhile all on its own) and assuring her that I would dispatch a text message if there were an actual emergency, this thoughtful essay on the nature of urgency and authenticity in the lost art of correspondence, appreciating that communications are bi-directional and not just artillery for firing demands from Adam Gopnick struck as especially resounding and true. Not only do we concur with the assessment that there are distinct gradations when it comes to insistence versus aspiration that separates texting from email (or even those soul-shattering seconds of an unexpected telephone call), we moreover found the observation deliciously ironic that the protocols of the algorithms and filters that consign suspect mail (rightly or wrongly but usually erring, on balance, to segregate junk from everything else) are informed by the letter-writing etiquette and structure that we’ve been taught as polite and correct. A sincere form of flattery, the automated guardians of our inboxes target that which follows the structure of salutations, surprising developments (something worth writing home about), a detailed proposal and a proper closing for our epistle whereas less formal spam might find its way through to the recipient.

nagai go manga gaiden

Via Miss Cellania, we are graced with the musical stylings of Italian show-master and performer Stefania Rotolo (*1951 – † 1981) in her fantastically choreographed number of the theme song to the Super Robot manga series known to audiences familiar with the artist as Goldrake—or as its title for English-speaking export markets, Force Five: Grandizer, the inspiration for Voltron, Thunder Cats, etc.

Confusingly and roughly contemporaneously, the title also referred to an adult comics series. Those are fantastic costumes and look like Flash Gordon surplus. Rotolo was best known for hosting a popular television music programme called Piccolo Slam—Little Hits—in the late 1970s and launched her recording career with studio album, Uragano Slam (1978)—referencing the show and her nickname, “Hurricane Girl.” Her rising stardom was cut tragically short by cancer, but she is still fondly remembered and a dance prize has been awarded annually since 2011 in her name.

triadic ballet

In keeping with the theme of all the pieces featured in this year’s Performa in New York City that paid tribute to the Bauhaus movement on its centenary anniversary, Kia LaBeija’s contribution takes the outline of the third act of Oskar Schlemmer’s 1922 experimental choreography (previously here and here) and expands it as a showcase not only for her talent but moreover as a reappropriating of a school which for all its subsequent influence and resonance was rather still a product of its age and the domain of the few—not representative of the reach that the members’ aspired for.  The costumes not only exaggerate the dancers’ figured and invites one to think on the function that belies our conceits but also what sort of prosthetics and inventions we can avail ourselves of, not just in terms of image and health but also as something enhanced beyond human weaknesses.  Much more to explore at the links above.