inherent authority

The intrepid investigators at Muckrock publish a good primer on FOIA code and provides explanations on federal rules of criminal procedure that could potentially block the release of large portions of the Mueller Report and how those exemptions might be appealed in the courts. Given that the language of Freedom of Information Act requests are often composed—in this case especially—with potential lawsuits in mind and informed by the challenge of the high bar set for disclosure, the article also links to preliminary requests filed earlier and still pending adjudication.

fraunhofer-gesellschaft

Named in honour of nineteenth century entrepreneur, physicist and lens-crafter who pioneered stellar spectrometry Joseph Ritter von Fraunhofer said to embody the goals and philosophy of association, the society for the advancement of applied science was founded in München on this day in 1949.
The largest research organisation in Europe, it has seventy-two campuses spread throughout Germany and an international presence with institutions in North and South America and Asia. The organisation is funded through the so-called Fraunhofer Model which sources thirty percent of its budget to state support and the rest in contracted fees for conducting research and development at the behest of industry and government commissions—notable projects including developing the mp3 file format and an algorithm to reassemble shredded documents.

ofglen

Correspondent for Mary Sue Kaila Hale-Stern invites us to stroll the streets of Gilead—escourted of course—with an exclusive peek at the 1985 Margaret Atwood dystopian and depressingly relevant The Handmaid’s Tale brilliantly adapted in graphic novel format by artist Renee Nault. Awash with symbolism, the story was a natural candidate for a fresh visual treatment and compatriot Canadian Nault was specifically selected by Atwood for this distinction.  See more panels at the link above.

shadow-casters

Nag on the Lake brings us a short feature from Belgian director and illustrator Vincent Bal (previously) called Shadowology which reframes the shapely shadows that the imaginative sketch artist captures as live-action to show the creative process and how light and shadow of everyday objects are mentally manipulated until an entire scene is teased out of an ordinary silhouette projection.