Wednesday, 6 March 2019

gashlycrumb tinies

Noted macabre humourist and illustrator, Edward St John Gorey (*1925 - †2000, previously here and here) was also quite the fashion plate and his eye for style would have translated well to the rack and runway.
Though the overview focuses on costuming and his person sense of style it reinforces how all aspects of his the artist’s personality and outlets brought forward the anxieties and preoccupations (fantods—from the Welsh) of the Victorian and Edwardian Eras through unsettling, vaguely (or rather explicitly) menacing situations.

7x7

bathdoom: interior remodelling as a first-person shooter game

philosophical zombies: the Turing Test for AI consciousness

waste management: budget cuts are rubbishing recycling programmes and good intentions on the municipal level in the US and elsewhere, via Digg

das botenkind: a radio host who broadcasted for the US Army in West Berlin had her sobriquet translated as “Newsbabe”

human hoberman: an mesmerising synchronised dance on a slick floor

brick-and-mortar: gorgeous letterpress posters of artful arranged Lego reminiscent of printed circuit boards

lotus eaters: parrot junkies are having the poppy harvest in Madhya Pradesh

covalence

On this day (Old Style, 18 March 1869 on the Gregorian Calendar—it’s nice that this anniversary comes around again), one hundred fifty years ago, Professor Dmitri Mendeleev having previously formulated the Period Laws formally presented his Periodic Table as a way of arranging and understanding the elements to the Russian Chemical Society, titling his presentation The Dependence Between the Properties of the Atomic Weights, positing that the element arranged according to their mass exhibit an apparent periodicity of properties and to expect the discovery of yet unknown elements from gaps in his schema.

always-ready absent present

Our sincere thanks to Things Magazine for the bit of disabuse that comes in knowing that we are not so alone in begrudging our sense of nostalgia and feeling conflicted over it through the knowledge that the concept and discipline of hauntology did not originate with its champion and evangelist Scarfolk Council but is rather an invention with some provenance as being coined by Jacques Derrida.
Though dating back to the early 1990s, the term has really flourished lately with the recycling of familiar and retro themes that feels sometimes to the exclusion of anything risky or original, the concept is the ontological burden of disjointed time, as a ghostly apparition is only properly so in the moment it manifests and separated from its historical association though we as the haunted might see past relations as persistent things. What are some examples that have awakened in you that fit this category? Please do share.