Prior to the formation and demonstrations of the environmental activist group Extinction Rebellion at the end of October this year, I thought I recognised the symbol suggestive of an hourglass somewhere before—finally recalling this bleak and powerful installation that pealed out a dirge for each taxon of life as they blinked out of existence at the hand of man.
The group had recently made headlines over its blockading the headquarters of one influential media outlet for its policies that accommodate climate change denial and advocate for the status quo under the auspices of equal-time. Working towards a culture and economy that is regenerative and sustainable, the group’s manifesto must acknowledge the hard truths of ecological collapse and empower those they govern the means to reframe their consumer and lifestyle choices in the significant and enduring ways that will affect real and radical change for the better.
Sunday, 23 December 2018
rebel for life
flickering signifier
Reporting for the New York Times, Caity Weaver takes us down a rather unexpectedly fascinating rabbit-hole with an investigative piece on the nature and source of glitter that proved unexpectedly controversial and secretive for an ostensibly frivolous product. The product is examined in all facets, from its festive sparkle, surprising applications, cultural use and connotations to its environmental impact. As Weaver found out, it is anything but a flippant business and remains on some levels an enduring and abiding mystery.
รพorlรกksmessa
Though not officially recognised as part of the Calendar of the Saints until Pope John Paul II made it official in 1984 and followed up with a visit to the island, Saint รorlรกkur รรณrhallsson—Thorlak Thornhallsson, Bishop of Skรกlholt, had been considered the patron of Iceland for the greater part of a millennia.
Saturday, 22 December 2018
wiener methode der bildstatistik
Having had a previous encounter with the ISOTYPEs of Marie and Otto Neurath (*1882 – †1945), we appreciated revisiting this subject with an in depth exploration from Open Culture that regards the universal character set as yet another among many earnest attempts to foster peace and empathy through an international language, a utopian effort like Esperanto and others. With the help of woodcut artist Gerd Arntz, this visual vocabulary grew to over four thousand pictograms to structure and address every facet of society and of course prefigures our contemporary use of symbols and data visualisations.
