Thursday, 15 November 2018

vanilla, strawberry, knickerbocker glory

Via the always excellent Everlasting Blรถrt, we are introduced to the musical stylings of the band Fujiya & Miyagi, hailing from Brighton-by-the-Sea.
Perhaps not news to anyone else—especially the audience of the Great British Bake-Off—but a knickerbocker glory is a superlative name for a particularly fancy kind of ice cream parfait with alternating strata of ingredients (cream, fruit, jellies) popularised in England in the 1930s—though possibly owing its inspiration to Manhattan soda-jerks after a float they concocted, Knickerbocker being the moniker given to the descendants of Dutch settlers of Old New York as New Amsterdam.

little orphant annie

On this day in 1885, an Indianapolis newspaper printed the eponymous poem by James Whitcomb Riley with spellings that reflected the Hoosier dialect of the region, admonishing children to obey their guardians lest goblins snatch them away, bearing no semblance to the franchise that it would go on to spawn with a comic panel, radio drama, a Broadway musical and two films—not to mention the obligatory school productions though apparently the Addams Family has unseated Annie in recent years—that spanned the century and decades in between.
Though it may seem as if we are living through a time of unprecedented call-backs of properties that are not especially worthy of our nostalgia or fiddling with the original but I suppose we also enjoy the privileged perspective of being told what’s the definitive adaptation and what’s canon through licensing and closely guarded rights and the luxury of forgetting about the plethora of early Titanic movies—for example. Things like the libretto, nonetheless, do seem a bit sacrosanct but I suppose concessions to language are necessary, like in “Hard-Knock Life” original to the updated version:

No one cares for you a smidge
When you’re in an orphanage

No one cares for you a bit
When you’re a foster kid

Wednesday, 14 November 2018

re:birth

Plain magazine introduces us to the expansive, creative portfolio of Thomas Olliver through one of his latest projects that imagines social media platforms given traction and parlance in the media res of the gadgetry of pagers and disposable cameras, making a really provocative statement on the idea of delayed gratification and what we were formerly content to occupy ourselves with. What do you think? Sometimes nostalgia can be good counsel. A skeuomorph almost certainly is. Is the greater sophistication of our figeting a true refinement or were we better off knowing time spent doodling in fuss and frustration is our own and perhaps not a masterpiece?

crop-rotation

A Minsk-based agri-business start-up called OneSoil, we learn via Big Think, has fused satellite telemetry and artificial intelligence to create rather beautiful land-use visualisations (covering North America and Europe with plans for expansion) and deliver efficient and “precision farming.”
It’s really telling of the dreadful excellence of humans to contemplate how we’ve transformed the planet through landscaping and how big our collective footprints are, but hopefully data can impart a sense of responsibility and stewardship as well as tool for mitigating the effects that a warmer, wetter Earth means for ecosystems and our food supply. There’s also a feature that treats visitors to a randomised gallery of particularly striking fields—and though maybe not the most beautiful composition, we appreciated studying the overview of pastures and croplands near by broken up by forested areas.