Monday, 15 October 2018

6x6

mystery machine: a 1999 Scooby-Doo parody of “The Blair Witch Project” from Cartoon Network

the history league: jerseys for fantasy sports teams centred on momentous events, via Shadow Manor’s Art of Darkness

popular science: though presently mostly relegated to children’s literature, pop-up books were once the stuff of serious textbooks

feng shui: the opening of Kyoto’s first dispersed hotel promises visitors an authentic, immersive experience in the old capital

public service announcement: contemporary artists offers updates on the iconic vintage series from the Works Progress Administration, a New Deal organisation

siren song: the micronation of Uลพpis, an enclave in the Lithuanian capital of Vilnius

tik-₸¤₭


Sunday, 14 October 2018

embassy row

On learning that Ankara has announced its intentions to rename the street on which the new US embassy compound is being constructed Malcolm X Avenue (with the support of the civil rights activist’s family who President Recep Tayyip ErdoฤŸan met with last month) after the figure whose reputation remains divisive—particularly I would suppose for those occupying the White House presently, I was reminded how back in February, the street address for the current US diplomatic mission to Turkey had been reflagged as “Olive Branch” after the code-name for one of its military forays into Syria to signal displeasure for what is seen as American meddling. There’s quiet a long history behind casting ambassadorial side-eye (starting at the link above) by forcing one’s ideological foils to accept deliveries at insulting or compromising addresses though the most unabashed proposals have yet to materialise. The new building is scheduled to open in 2020

all would be well if, if, if—say the green bells of cardiff

By touching coincidence, we are acquainted through the help of the always brilliant Nag on the Lake to the haunting lyrics of the American folksinger and political activist Pete Seeger’s ballad “The Bells of Rhymney,” sourced to Welsh miner turned poet Idris Davies on the same day that the worse mining accident in the history of the UK occurred one hundred and five years prior, the Senghenydd colliery disaster (1913).
Following the structure of the English nursery rhyme “Oranges and Lemons (Say the bells of Saint Clement’s),” Davies and Seeger count off the communities visited by hardship and loss throughout resource-rich but exploited land. In Glamorgan, Wales, the coal mines referenced above near Caerphilly have their own stanza in the original verse:

They will plunder willy-nilly,
Say the bells of Caerphilly.

After Seeger’s introduction of the sad lament, several other artists produced cover versions of the song—most famously The Byrds but also John Denver, Bob Dylan, Murray Head, The Band, Robyn Hitchcock and Sonny and Cher in 1965.