6x6

au bout du fil: a surreal animated short by Paul Driessen from the National Film Board of Canada

busytown 2018: mansplainers and swamp drainers (previously), via Kottke

creative commons: potential changes to European Union’s intellectual property law could give rise to censorship machines and a link tax

off the wall: an analysis of Michael Jackson’s “Don’t Stop ‘Til You Get Enough”

foremal: IKEA partners with Per B Sundberg to create a line of homewares with a gothic aesthetic

going up: researchers at Shizuoka University to conduct a proof of concept trial for a space elevator, via Slashdot 

kunst und kohle

A consortium of museums in Germany’s post-industrial heartland, das Ruhrgebiet (previously), is bidding a conflicted adieu to its withering coal-powered past.  Still the world’s largest producer of the particularly dirty variety of lignite (a very dubious honour) and amid ongoing protests to retire extraction and burning of coal altogether, the museums curate a fascinating, nostalgic reflection on the culture informed by coal towns and mining communities through a variety of artefacts that attest to working conditions and the relationships forged by the families whose daily routines included confronting mortality—either through accident or backbreaking labour. Read more about the retrospective of exhibits at Hyperallergic at the link above.

empathising-systemising

The always brilliant Nag on the Lake introduces us to the “genius of Earlswood Asylum,” James Henry Pullen, through an inaugural exhibition that explores the life and imaginative work of an autistic savant confined for nearly seven decades.
As was the standard practise for the patients to learn handicrafts (see some other examples of Outsider Art to come out of institutions here and here) to support themselves and the asylum, Pullen demonstrated master level skill in carpentry and technical drawing, making elaborate scale models of ships as well as furniture for the wards. The asylum superintendent, Doctor John Langdon Haydon Down—best remembered for his description of the genetic condition that bears his name and also first employed the term savant—treated Pullen rather humanely, allowing him to dine with the staff rather than the general population and encouraged Pullen in his projects, which eventually garnered the attention of Queen Victoria and the royal family.

i’m like a racing car passing by

Also to mark the occasion of Freddie Mercury’s birthday, the Awesomer brings us the musical stylings of Seb Skelly who delivers a one-man rendition of Queen’s 1978 uplifting song “Don’t Stop Me Now.” Arranged for a brass quintet all performed by Skelly, the sheet music as well as the original version is available at the link above.