Not without controversy on both sides of the debate, Venice installed turnstiles (tornelli) and gates to limit access and control crowds, suggesting that priority would be given to residents over the throngs of tourists and holders of public transportation passes.
In practise, the move was probably more symbolic and resulted in few bottlenecks or people being turned away entirely and probably did send the signal that perhaps tourists should try to book off-season or head for less popular areas. What do you think? The gates’ detractors argued, however, that perhaps more ought to be done to dissuade cruise ships from dominating the port or cheap flights from flocking to regional airports and divert visitors well before they arrive and such queuing and quotas make it seem like the authorities are affirming and reinforcing the amusement atmosphere already associated with heavily-visited areas.
Sunday, 6 May 2018
tornello
splash & burn
Having recently been reminded myself how damaging and disruptive the practise of palm oil harvesting can be for society the ecology, this interview with artist and activist Ernest Zacharevic from Colossal struck us as quite resonant and important.
Zacharevic has partnered with an array of international and local artists to raise awareness of devastation that what has been portrayed as a sustainable industry has caused for the people and environment of Indonesia—the former by short-term employment opportunities and a one-time infusion of revenue in exchange for selling off the lands of indigenous peoples and part of the country’s patrimony and the latter by habitat destruction, monoculture and eventual desertification—all exacerbated by the popularity of coconut oil, sourced from the same plant and plantations, and palm oil as a bio-fuel, diverting more agricultural resources from nutrition towards green-washing.
catagories: ๐, environment
code insee
Despite having muddled through for the past seven-hundred years of letter deliveries and liaisons without the regiment of named streets and numbered addresses, the medieval French town of Sarlat-la-Canรฉda in Dordogne is finally bowing to pressures from telecommunication providers, who demand that municipal authorities adopt formal street names and put up signage for its pristine fourteenth century old town.
The ten thousand residents of Sarlat, a contender for inscription on UNESCO’s rolls, are rushing to find fitting namesakes for a surveyed two-hundred nineteen avenues and alleyways by the end of May in order to have fibre-optic cables installed. Here is an alternative proposal for a system of geolocators, or rather INSEE (Institut national de la statistique et des รฉtudes รฉconomiques) code, that the request and reform reminded me of. Local guests—the town being the backdrop for a number of historic cinematic protrayals—and national heroes are among the nominees.
calliope
We’d heard of renditions of songs being made with outmoded media players beforehand and of efforts to curate the endangered sounds of technology before for coming generations that might never appreciate the satisfying clangs and clunks of mechanical relays or baud versus bandwidth. We had not, however, sampled the repertoire of any of the artists behind this preservation movement until being introduced by Things Magazine to Paweล Zadroลผnia and his extraordinary Floppotron.