Friday, 28 July 2017

g-mark of approval

In celebration of supporting six decades of competition to improve ergonomics and functionality the Good Design Awards (here’s one of last year’s winner) has opened up a boutique store in Tokyo that features a expertly selected range of the annual contest’s best in show.
With some forty four thousand honoured entrants, the shop couldn’t accommodate the entire inventory but this emporium is surely going to be a place to go to for inspiration. The awards have its origins in the mandate by the country’s Ministry of International Trade and Industry in 1957 to establish a rating system (the G-Mark) to recognise, commend and promote excellence in design and the chief factor for inclusion is whether an object or concept can make people’s lives more prosperous and enriches society as a whole. So many abstract and otherly-versioned things get transformed into amusement park rides, put on stage or otherwise repackaged with questionable judgment but this idea—to showcase talent in a retail setting that’s closer to a museum-going experience—strikes me as brilliant and inviting.

tabula rasa

Apparently not heeding Her Majesty’s earlier wardrobe malfunction, the otherwise unhelpful White House deputy press secretary is giving us the public service reminder not to wear green in front of the camera, lest one tempt public reaction—which I suppose also might be an intentional strategy.

wayback machine

Brilliantly, as Waxy informs, the Internet Archive (previously here and here) is curating daily snapshots of a dozen of major internet properties (CNN, Reddit, YouTube, Amazon, the BBC, Yahoo! News, et al.) of how these web sites looked a decade ago. The historical chronicle elicits a sense of nostalgia and contextualises where we stand now.

Thursday, 27 July 2017

motorama or ร  la kart

Messy Nessy Chic brings us the profile of George Barris, the late, legendary designer of custom cars who was responsible for nearly all the iconic vehicles featured on film and television throughout the 1960s and 1970s.
Though perhaps the contribution of his workshop that’s most easily conjured up would be the original Batmobile, Barris also brought us My Mother the Car (a much maligned sitcom that was premised on the idea that an attorney purchases a used Porter touring car that his mother has been reincarnated as), the dragsters from Mannix, the Dukes of Hazzard and the Banana Splits as well as the signature cars of the Munsters and the Clampetts and another sentient automobile in Knight Rider’s KITT plus his nemesis. Barris’ studio also recreated many novelty vehicles for special exhibitions and designed custom cars for celebrities, including Zsa Zsa Gabor, Elton John and Elvis Presley.