The outstanding NPR podcast Invisibilia (previously here and here and here) is back for a third season and opens with a rather arrestingly provocative two part episode that has too much on offer to effectively summarise blow-by-blow but really delivers a wallop in the form of an alternate way to view the nature of human emotions. Rather than an unconditioned reaction to outside stimuli, feelings might be the product of one’s brain continually assessing the body’s internal functions to make sure everything is working as it should be.
Instead of some finely calibrated and detailed status report on our various systems, the brain only makes a few distinctions spread out over all the organs—hunger, satisfaction, arousal and repulsion. Anything more, on a conscious level at least, would prove overwhelming and might even be beyond our mental capacities. These internal senses and their input are called interoceptions. Consider how one’s sense of sight is compartmentalised and far different than the illusion of continuous perception that we’re presented or how our brain directs the body to adjust the blood-pressure with one’s intention to stand. There’s quite a bit of housekeeping going on behind the scenes. These internal, primitive emotions become—following the somatic theory of evolutionary psychology, which was en vogue in the nineteenth century but has fallen out of favour, dismissed as being not far removed from the idea of bodily humours ruling our moods only to enjoy a very recent resurgence—magnified and informed by our experience and upbringing. Surely it would be hard to divorce oneself from the notion that fear and anxiety—and by extension, the positive experiences too—are not something intrinsically connected to the encounter or experience (and the dread or excitement of anticipating it) but rather the product of strongly cultural and idiomatic enforcement. Of course too that mode of thinking manifests itself extrinsically by framing situations with their culturally endorsed, emotional window-dressing. Regardless of the completeness of explanation for one’s temperament, it is a comfort to keep in the back of one’s mind that one’s emotional response is provisional and very much subject to change.
Monday, 5 June 2017
executive function or appeal to emotion
Sunday, 4 June 2017
fromageries occitanes
On this day, as our faithful chronicler Doctor Caligali informs, among other things in the year 1070 according to turophile lore (a highly specific date), Roquefort cheese was accidentally invented when a shepherd stashed his noontime repast in one of the Combalou caves in order to pursue a fair maiden—or what have you. Returning to retrieve his lunch after the appellation d'origine contrรดlรฉe standard number of months for maturation, the ewe’s cheese had transformed into Roquefort, which perhaps came in handy after such a dalliance as clinical trials have shown that the mould in the cheese can combat gangrene and venereal diseases.
curation
Not the output of a machine-learning algorithm (check those out here, here, here and here) alone but rather a collaborative effort between human artist and robot that demonstrates that the two types of intelligences together are better than at odds, artist Isabel Kim’s Infinite Artwork Simulator project generates such absurdity precisely because the descriptions—for all their airs—strike one as perfectly plausible and something one could find attached to any item in a gallery or modern museum collection. Check out more of these formulaic recipes whose ingredients generally call for a pinch of something from pop culture, a bit of art history, a bit of cultural appropriation, plus something edgy to yield a useful blurb at Hyperallergic at the link above
star-crossed
A century after it was first conceived, the very personal tale of a forbidden romance between a human and an elf which the author struggled to complete over the span of his entire literary career, has been stitched together and edited by JRR Tolkien’s son and collaborator, Christopher, and is available as a stand-alone book. Set during the first age of Middle Earth and whose ill-fated love are alluded to as legend in other works, the mortal man Beren and the immortal elvish maiden Lรบthien are faced with difficult choices, unsupportive parents asking the impossible and werewolves and is an allegory for Tolkien own difficult courtship. Though the project defied completion in Tolkien’s life time, the author’s burial plot that he shares with his wife Edith also bears the inscription Lรบthien and Beren.
catagories: ๐ฌ๐ง, ๐, myth and monsters, Tolkien