The Calvert Journal has an interesting profile of the lesser scrutinised art form, relegated to children’s entertainment, of animation and the role that allegory communicated through this medium played in protest movements in Eastern Europe and Soviet satellite states, particularly in Czechoslovakia and Yugoslavia. The study with a gallery of examples (not the ersatz Itchy and Scratchy pictured) from the 1950s onward demonstrates the parabolic reach of the message (the animatic being the synchronised storyboard) considering that in most cases the state was the lone patron of cartoons, looking into the past when puppet theatre and other antecedents could be as covertly subversive, plus how contemporary artists are rediscovering animation as powerful form of commentary.
Thursday, 20 April 2017
animatic
sending forces
Amusing Planet features a profile of the mostly abandoned town of Wรผnsdorf on the periphery of Berlin that once hosted the headquarters of the Soviet military in East Germany.
With large areas of restricted access, Wรผnsdorf was declared another verbotene Stadt, like the Colossus of Prora after World War II, and of course this was not the only installation to be mothballed with the Reunification and we’ve encountered quite a few former army camps in our travels. The stations of the Allies are much less dense these days (click here for a map that shows the coverage and saturation on both sides) but the Americans have remained.
Wednesday, 19 April 2017
directors’ cut or good morning pyongyang
Via Gizmodo, we discover that in the North Korean capital, there is a daily morning broadcast on loudspeakers of a Theremin-sounding leitmotif that resounds throughout the city.
Although reporting appears rather dodgy and some handlers of visitors to the Hermit Kingdom disavow the existence of the routine—the implication being that they are so brain-washed that it no longer registers, this instrumental tune is a little reminiscent of the Blade Runner (Do Androids Dream of Electric Sheep?) soundscape composed by Vangelis and is possibly called “Ten Million Human Bombs for Kim Il Sung” but no one knows for sure. It seems eerie and oppressive at first blush but I wonder what message that North Korea intended to send.
implicit bias
Academics looking forensically into the melt-down and subsequent transformation of the chatbot Tay to an obscenity-spewing misanthrope after being exposed to the ravages of internet for only a brief time, finding that the way artificial intelligences learn language—basically digesting the whole of on-line text exchanges—can magnify unconscious word associations and reflect them back at us in a very unflattering way. The tokens and markers of speech that the machines repeat and rely on for guidance contains a lot of latent prejudice but also shows that in context it truly is communication and language that drives consciousness and informs culture.
catagories: ๐ฌ, ๐ญ, ๐ค, ๐ง , Blade Runner