it came from the cineplex or darth by darthwest

The summer blockbusters are championed by a duo of my favourite bloggers, Bob Canada and Dr. Caligari, we are treated to a comprehensive preview of the 2016 box-office, which is predictably franchised, derivative and cannibalistic. I too wish I had invested in the punctuation mark known as the colon for all the subtitles. By the miracle of assiduous chronicling, however, the fact that there is nothing new under the sun is revealed by marking that on this day in 1999, the Star Wars saga (among other events) released its first prequel. Some clever individual, we also find, is bucking the tread with a brilliant mingling of Hitchcock and Lucas

pompeii or hornblower and hotspur

Whilst rambling through Devon and Hampshire, we stopped at the ancient city of Portsmouth, the oldest continually used docklands in the world awash with the trawling dragnets of historical connections. The harbour town is far too well regaled with references to pursue every footnote and link (though the local historical societies must have very fulfilling hobbies), but just to trace the city to its semi-legendary foundation by a Norman nobleman called Jean de Gisors whom famously harrowed Henry II into kingship and was allegedly the founder of the Priory of Sion I think gives one an idea. And merrily, we roll along.
One lawless exclave established on a tip of Southsea, called Spice Island, just outside of the city gates and thus beyond the crown’s jurisdiction was a regular Island of the Donkey Boys from Pinocchio for its bustling and brisk business attentive to visiting sailors, but rather gentrified and respectable since the invention of the steam-engine began to depreciate the importance of the trade routes that clung so near the continent.  The strategic significance of Portsmouth (nicknamed Pompeii) and attraction, however, has not waned. The naval presence has receded into its present boundaries but the defensive walls and garrison chapel with the statue of Lord Nelson are very much still the typifying landmarks, but a relatively recent addition in the Spinnaker Tower (named after the distinctive steering sail and which is probably the closest we’ll get to the Burj Dubai—at least for the present) adds an impressive element to the skyline, being the highest viewing platform outside of London.
Afterwards, we stopped to wonder at the massive, medieval Arundel Castle, seat to the oldest surviving earldom, and line of Anne of Arundel, Baroness Baltimore, wife to the first governor of Maryland and the province of present day Newfoundland called Avalon, named after the old lands in Somersetshire where Glastonbury lay—as the perfect transition to our next little tour.

agent provocateur

The conservateur extraordinaire Messy Nessy Chic presents the history of the violent Paris Riots of May 1968, which brought France to the brink of civil war, through protest posters and other art work of the revolution. Although much studied, vividly remembered by contemporaries and very much in keeping with the times when waves of societal unrest swept across the globe, no one can cite a quick or definitive explanation why the revolts occurred. The movement was an amalgam of various leftists student organisations consisting of anarchists, Maoists and anti-capitalists occupied factories and financial institutions and at the height of the riots, convinced more than twenty percent of the working population of France to go on strike.
After the violence dissipated, which saw the president flee the country, matters seemed to return to normal—perhaps a little too quickly, and the protesters fell short of their stated goals of promoting equality and social justice with the old regime that they rallied against returning to office with what they considered a stronger mandate, not that the acts were all in vain. I wonder what people will make of our contemporary movements that are just as contemptible to some in a few decades. Be sure to visit the website to peruse the extensive gallery of protest posters and to learn a bit more about getting caught up in le Zeitgeist.

rear window

Via the always brilliant Nag on the Lake, we are invited to peek behind the curtains of the privacy-treasuring Norwegians, escorted by the private-eye of photographer Ole Marius Joergensen. Such haunted voyeurism that raises more questions than answers about identity and public-personæ and reminds us that the eerie spectre of being observed (or being the observer) isn’t just about the brute panopticon of total surveillance that spoils the surprise by not leaving much up to the imagination for nosy neighbours for whom the truth is immaterial against the excitement of constructing one’s own narrative. Such curiosity remains harmless, I think, until it becomes the official profile of another—or of the watcher.