Saturday, 17 October 2015

up periscope or dead men tell no tales

Regardless how the US refrains from using assassination (targeted killings) in the same way it refuses to “negotiate” with terrorists, the drone-wars have exhausted—unintentionally but with the lulling effect of new technologies and the easier path—whatever intelligence capital and standing that America had in the world. Not only does the incomplete picture obtained by intercepting communications (SIGINT) yield grave inaccuracies including a lot of collateral deaths (though they’re never referred to as by-standers), these tenuous links can no longer be explored or exploited once the person of interest has been obliterated.

Repeat missions based on the same models eventually dispose of all potential known-associates but do not solve the underlying problems nor create channels of access, like traditional espionage might have accomplished, and one’s understanding of connections and associations become diluted and unpredictable. Reliance on telephonic communication and the telemetry that’s a backformation that tends to put blinders on the drones’ human minders whose lightening bolts are already handicapped with tunnel-vision—the soda-straw effect, as only a very small part of the surroundings comes into focus, instead of some wide-angle cinematic panning that the audience expects to document the drama. Such a keyhole perspective, buffeted by the same dragnet snooping that the US has applied roundly to the entire world’s populace without discrimination, collapses leads, true or false, and has resulted in incalculable civilian loss and distrust. Despite that this way of warfighting is portrayed as safer and more surgical, it seems quite otherwise and has earned more than a modicum of scepticism, especially since the same intelligence-gathering, dossier-compiling unleashed on the general public is being used to vaporise terrorists and their associates, begging that invoking that justice from on-high is just a few clicks away.

giraffe, erdmรคnnchen & co.

Parallel to the much celebrated and intensely competitive Wildlife Photograph of the Year run through the auspices of the BBC and the London Natural History museum, nature-photographer Paul Joynson-Hicks had the idea to capture the more candid side of the business with his “Comedy Wildlife Photography Awards.” Spiegel features a funny slide-show of some of the best entries, and the contenders are sure to ratchet it up for next year’s competition.

Friday, 16 October 2015

hinweisgeber

Just following a significant operational disclosure revealing the structure and extent of the US admin- istration’s military drone program, Transparency International Germany awards its Whistleblower prize to a former drone jockey stationed at the secretive base in Ramstein for exposing how deeply the installation is mired in the controversial drone war. Germany has been given to question whether hosting the such operations is not a violation of its own laws and principles, despite a regular litany of denial on both sides that’s by now twice-spent any credence. A French chemist is also being honoured in the ceremony in Kaiserslautern for demonstrating the grave toxicity of a popular herbicide.

5x5

twilight of the gods: Nina Hagen, Grace Jones and others feature in a Biblical Rock Opera, Gutterdรคmmerung, who strive to return the Earth to a state of vice

dyson’s sphere: luminous fluctuations in a distant star’s brightness could be signs of ancient alien technology

marylebone: BLDGBlog ponders the supposed funerary teleportation grid of Greater-London

scrumptious: venerable art foundation raises funds for galleries and museums with edible masterpieces, via the splendid Nag on the Lake

babel: a few odd, nuanced (but expeditious) terms found in EU English