The ever brilliant Colossal featured a keen and imaginative report on a research project—illustrated with some very fine visual effects, wherein an optics laboratory has imbued metallic surfaces with the quality of hydrophobia to the degree that water droplets roll and bounce away—in a mesmerising fashion, almost water globules floating away in microgravity.
Unlike the conventional ways of creating this effect with chemical coatings—which can be toxic and wear off over time, the scientists etch nanoscopic landscapes into the surface with precision lasers, which apparently resists degradation. A little speculation quickly leads to all sorts of possible applications, from pipes and plumbing—sanitation stations that don’t need extra water to be kept clean—better rust-proofing and airplanes that won’t require being chemically de-iced. I wonder what other special properties that very fine texturising techniques could awaken in ordinary materials. Maybe tiling and quilting a surface, on a scale otherwise undetectable, might make everyday materials rather supernatural: housings and cases and building materials capable of absorbing and retaining heat, an efficient insulator employed instead of conventional refrigeration, better acoustics, germ free surfaces without antibiotics, made too slippery in microscopic dimensions, or even plain old counter tops and banisters that could channel energy like fibre-optics.
Wednesday, 28 January 2015
material sciences or teflon don
catagories: environment, technology and innovation, transportation
Tuesday, 27 January 2015
blockchain or turing-complete
รon Magazine poses a pretty arresting question, siphoned through the spelunking machinery and quarrying activities that underpins the integrity and flow of alternative, shadow currencies: are humans ready to jettison the managers and middle-men for autonomous companies that need minimal human supervision?
mรฉtal hurlant
Via Neatorama comes the outstanding retro-future visions of Dan McPharlin, which pay a special homage to the science-fiction and fantasy paperback covers, video-game artwork and album covers that he grew up with.
There’s a certain impressionistic grittiness that is somehow more bonding—not just in a nostalgic sense, than the technically refined and regurgitated (so we don’t get too distracted I suppose) with the slap-dash marketing that adorns most things nowadays. The American magazine of fantasy fiction, Heavy Metal whose genre sponsored this particular style, was itself inspired in the mid 1970s by a French publication called Mรฉtal Hurlant, howling metal. Be sure to check out the links for an interview with the artist and more sublime studies of the imagination.